lunedì 17 settembre 2012

NEWS - I telefilm fanno male a chi non li ha (più)! Patrick Stewart e Miley Cyrus caduti in depressione...
Articoli tratti dall'"Huffington Post"
For a girl who is rich, famous and engaged to be married, Miley Cyrus is somehow still dreaming of more. On Sept. 13, the 19-year-old singer and actress made several surprising and somewhat depressing comments on Twitter. In a series of tweets she wrote: "ever feel like you want just.... something more. not sure what exactly... passion perhaps? sometimes i feel like i love everyone more than they love me. hatttte that feeling. Thought of the day: maybe it's not that they love you less, they just love you the most they are capable of loving."The sad sack comments alarmed Cyrus' nearly 9 million followers, who immediately wondered if everything was all right between the singer and her fiance, Liam Hemsworth, whom she became engaged to in JuneThe former Disney star responded to their worries, assuring them that was not the case:

We've become particularly fond of Cyrus' Twitter musings over the past year, because her ruminations are both fairly amusing and often enlightening. The singer's propensity to stand up for what she believes politically and personally via her Twitter account has proved rather impressive. Her Twitter presence is appreciated, but Cyrus also seems to have a desperate need for attention, which is more than evident by her constant documentation of her ever-changing hair, alarmingly shrinking body and skimpy outfits
Perhaps Cyrus' depressing tweets are evidence that something is truly wrong, but it's also likely that the world was simply witnessing a public teenage mood swing.
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He may have survived the Borg, but it appears that Time Warner Cable has assimilated Sir Patrick Stewart's life-force. Or at least that's what the actor, best known for his portrayal of Captain Picard on "Star Trek: The Next Generation," tweeted at the cable and Internet service provider Thursday:
The Consumerist reports that after Stewart's complaint was retweeted "a few hundred times," Time Warner Cable's social team got back to him, asking, "How can we assist you?". But the actor wasn't impressed. "If that question had been asked at any time in the last 36hrs it would have been of value," Stewart shot back. BetaBeat has the full Twitter exchange between the Shakespearian actor, who recently became a resident of the Park Slope neighborhood of Brooklyn, N.Y. Time Warner Cable eventually released a statement to the blog, assuring everyone that the situation was under control:
“Our Care and Social Media teams are fully engaged to make sure he’s well tended to. On behalf of the many Trekkers and Sir Patrick Stewart fans across our company, I can assure you, we will make it so,” the statement said.
The blog also reported that Stewart isn't the first "Star Trek" actor to experience a warp core breach over the company's lackluster customer service.
Once Stewart's story was posted to Reddit, the social news community responded in its own way (Warning: Strong(er) language).

venerdì 14 settembre 2012

IL GIOCO DEI TELEFILM - Cinquanta sfumature di gioco. In attesa della presentazione a LuccaComics (sabato 3 novembre), è attiva la pagina Facebook del "Gioco dei Telefilm" di Damerini e Margaria
In attesa della presentazione ufficiale del "Gioco dei Telefilm" a Lucca Comics sabato 3 novembre alla presenza dei due ideatori Leo Damerini e Fabrizio Margaria con Silver, autore di tutti i disegni originali (e in esclusiva) del gioco, da ieri è attiva la Pagina Facebook: http://www.facebook.com/GiocoDeiTelefilm. Chi volesse partecipare all'evento di Lucca, patrocinato dall'Accademia dei Telefilm e da Ghenos Games (la società che produce il Gioco in uscita ai primi di novembre), può invece iscriversi tra i partecipanti qui: http://www.facebook.com/events/222478051212233/. Da oltre un mese è invece già attivo il profilo Twitterhttps://twitter.com/GiocoTelefilm. Followate!
La giornata di sabato 3 novembre a Lucca Comics si declinerà con la presentazione stampa del GdT, gli autografi di Silver allo stand Ghenos Games e una partitona collettiva per eleggere il primo Telefilm Master della storia. Se si sarà in tanti, ovviamente, si giocherà a squadre...Stay tuned per gli aggiornamenti su orari e dettagli!

giovedì 13 settembre 2012

GOSSIP - Porca V-acca! Morena Baccarin eletta donna più sexy (non solo dei telefilm) del mondo da "Esquire"

Articolo, foto e intervista tratti da "Esquire" USA di Ottobre

Today, under the lacquered blue-enamel sky, in a black-belted black dress, stepping out of the nap-time grasp of an SUV, Morena Baccarin is clearly — honest-to-God, and to every vision of woman ever beheld, without a hint of exaggeration or intended pain to anyone who's borne the title before or will bear it hence — the most beautiful woman in the world

Never mind where — west and north of L.A., in a kind of near-desert, in the parking lot of a wine bar, her jet hair coated by the brightness of a midafternoon sun rigged high. The world behind her falls away quickly enough. With every step across the careless splash of asphalt, her unlumpy purse hooked over the sinew of her shoulder, finger dangling her keys, Baccarin smiles, which is of course part of why she's the most beautiful woman in the world today.
She keeps on: smiling at something, if only the equation of the afternoon that was or will be. It's hours till dark, and she looks every bit the glorious occasion, the kind of woman you want to take with you, the kind who could bring fortune in places where things are happening.
So maybe it's a little bit like luck. Maybe she wants to go to the track? To drowse for a while in the owners' boxes? No. "I'm terrible at gambling," she says. "I don't have a mathematical mind. No luck, either. On my last movie, I lost my entire per diem at a riverboat casino. No, no. Let's drink wine. Let's go down." She means down into the cellar, the damp dark of an otherwise deserted bar. She knows what she wants — to start in on the wine flights and the cheeses — and knowing is certainly a part of beauty, too. So, down the steep staircase, heels tonk, tonk, tonking the concrete, sliding into a seat against a cold stone wall — the whole way laughing. All the time with the pleasant, not-too-loud laugh of hers. This is just one more reason she's the most beautiful woman in the world today. "I drive to a cellar on a bright day, sit here with a lot of wine and cheese, and tell you all about my gambling right out of the box," she says. "I'm just going to get in trouble." The Brazilian-born Baccarin, age thirty-three, was until recently — and maybe still is — best known for her role on the short-lived 2009 ABC series V, on which she played the doe-eyed, pixie-cut alien queen with an excellent Q rating. And removable skin. It's her iconic role to date, save perhaps her part on the culty Firefly, which turned the heads of a thousand, thousand fanboys. "It's a coincidence," she says of starring in two major science-fiction projects. "I really look for strong female characters, or weak female characters, for that matter — something defined, tucked inside a great story. Reading V gave me straight-out goosebumps. You know, not knowing who your neighbors are, discovering that you live in an occupied state. Firefly I grabbed. We all thought it would last."
On this afternoon, the most beautiful woman in the world looks relieved when she mentions that she's just about to start filming the second season of Showtime's Homeland, on which she plays what is quickly becoming her newest most memorable role: the suburban wife of a returning POW and possible Al Qaeda sleeper agent. The first season didn't test her acting chops much, but she's optimistic. "This season, I finally get to stop crying into my pillow," she says. "So far there's been a lot of crying, a lot of cooking dinner, and more crying. I mean, I like dishwashing fluid just as much as any other gel, but you know, you gotta move on." Here she takes an immodest gulp of wine, falls into her modest laugh, holds a piece of hard Spanish cheese in her teeth like a man chewing a cigar stub. "I just read the first episode of the season, and there's this emergence of the political life. My character likes the meeting of people, the rubbing of elbows, just the possibility of getting to Washington. She's coming to life this year."
You never think you'd say this about the most beautiful woman in the world, especially alone, underground, bound up in three leaps of wine and more, but Morena Baccarin's hair appears to be in transition, caught somewhere between Alien Queen and Weepy Soldier's Wife. What happened to the pixie cut she featured in her brief but epic run on the more recent resurrection of V?
She takes a fistful of hair, then lets it go. "Here's the story of the pixie cut: Growing up, I had long hair. Superlong. It was that way forever," she says. "Then I did a movie that called for short hair, and I kept going back and forth — cut it, or wear a wig? On and on. Until my boyfriend at the time said, 'Stop. You need to cut your hair because you're going to look ridiculous with all that long hair pushed up under a wig.' And for a while I thought, Shit, I'm going to look like a boy, I'm going to have a fat face. But finally I said fine. I treated it almost like a dare. And that short hair was one of the best things I've ever done in my life. For myself, I mean. It was liberating and it was fun. And I kept it for four years. Now I'm growing it out for Homeland."
Why?
She takes another sip of wine, blinks a long, slow blink, gives a little shake of her head. "I'm just sick of it. You know?"
There is a picture of her, widely spread on the Internet, with blond hair. That, too, one suspects, had to be for a movie.
"That was boredom," she says. "That was summer. That was blonds have more fun."
Do they?
"Not really," she says. "Brunettes are far superior."
It's hard to argue with the most beautiful woman in the world. Not that there's any fight in the afternoon. Even in an empty room, in darkness hidden from a sun-bald day, she is without tension, without a sense of anywhere better to be. "This is good," she says. "I spent the afternoon with my hands in the dirt, working on my succulents." What are you gonna do? It sounds like a word that both fits perfectly and isn't what she meant at all — succulence. And she is smiling, because she knows it. The word itself becomes a kind of laughable currency for her.
You gotta love succulents.

 "You do, right? I mean they grow anywhere. They don't need anything. Not here, anyway."
Where did you come from? You live close to this place?
"I do. I live around the corner."
Are there lots of succulents between here and there?
"Mmm, yes. There are succulents everywhere. This is a succulent neighborhood. They like the air, the lack of water."
Why did you drive here?
"I almost walked, but I had these heels on. And I just didn't think I could manage that for you."
This goes on. Later she talks about acting. Serious stuff, about working with Philip Seymour Hoffman as an understudy for Natalie Portman in Chekhov's The Seagull, in Central Park. She praises her colleague Claire Danes for her work on Homeland. Ho hum. Then every once in a while, she goes back to succulence/succulents. It makes her laugh, this word salad. More wine is ordered. Evening comes, and still the most beautiful woman in the world is only too happy to play. That's more than just a part of it. It's probably the whole deal, the very reason she won the title all those hours ago.

Read more: http://www.esquire.com/women/women-we-love/morena-baccarin-1012#ixzz26KsTLgvR

mercoledì 12 settembre 2012

PICCOLO GRANDE SCHERMO - Clamoroso al Ciba-legs! Christina Hendricks diventa fetish per Ryan Gosling al cinema
When it was announced that Ryan Gosling would be directing his first movie, a fantasy film that he wrote, and he had cast Christina Hendricks in the lead role, the project quickly became Vulture's new favorite movie before even a frame of footage had been shot. "That's a good place to start!" enthused Hendricks when we caught up with her today at the Toronto Film Festival. So how did the movie come about? Did Gosling ring her up and say simply, "Hey girl, I've got a script for you?". "I don't think he said 'Hey girl,' but the rest of it's true," laughed Hendricks, who says it was "crazy flattering" to get the offer. "His first big film, and he could have gotten anyone!" she said. "It was very heartwarming and the biggest compliment ever." According to Hendricks, Gosling first got in touch with his Drive costar a few months ago to say that he was writing a script with her in mind, and would she be interested in reading it? But that wasn't all: "He sent the script over in this cool box with an interesting little key, and cool artwork in it," recalls Hendricks. "It was like the full package! And then I read the script and was in love with it, so I called him back and said, 'Yeah, please.'" Entitled How to Catch a Monster, the film casts Hendricks as a single mother "supporting two children and trying to provide a home for them and a place of comfort in a continuously harder place to be," explains the actress. "And I find myself working in this very surreal club that gets me into a sort of predicament, and in the meantime, these boys are off on their own adventures and they discover this underground city." Sounds ambitious. "I don't know what the exact budget is, but I think we've got a nice amount," said Hendricks. "I'm sure it will be incredibly clever, and Ryan already has storyboards and pictures of neighborhoods and homes, and he's already collecting music for it ... when you read it, it gives ou the feeling, maybe, of a memory. Something from your childhood that you can't really pinpoint." One last thing: Exactly what kind of club does her character work in? Are we talking "gentlemen's club"? "Book club," perhaps? Hendricks thought the question over, unsure whether she should say. "Fetish club," she allowed. "Fetish club." Yeah, that ought to tide us over for a while.
(Articolo tratto da "Vulture")

martedì 11 settembre 2012

GOSSIP - Amici di...Penn. Badgley, l'ex di Lively, felice e sorpreso del matrimonio-lampo della "Gossip Girl"
Blake Lively and Ryan Reynolds shocked the world -- including Lively's ex-boyfriend and Gossip Girl co-star Penn Badgley -- with their secret wedding Sunday. "I actually didn't know until last night, but I think it's fantastic," Badgley, told People. "I couldn't be happier for her." Blake Lively and Ryan Reynolds get married Badgley and Lively began dating in 2007 shortly after Gossip Girl began. The couple, who also have played on-and-off lovers on the CW drama, broke up in 2010. As with Badgley,  Lively met Reynolds on the set when she was cast as his love interest in 2011's Green Lantern. They started dating in October that year. "I'm so happy for her," said Badgley, who learned of the wedding by reading reports and speaking to people close to her. "I think it's everything that it should be," he added of Lively's relationship with Reynolds. At least there's still a chance for Lively and Badgley's Gossip Girl characters, S and Lonely Boy, to find their happily ever after. The final season of Gossip Girl premieres on Monday, Oct. 8 at 9/8c on The CW.

(Articolo tratto da "Tv Guide")

lunedì 10 settembre 2012

GOSSIP - Ultima ora, Blake Lively si è sposata (con Ryan Reynolds) con tanto di Florence Welch canterina!
According to People Magazine, Ryan Reynolds and Blake Lively were married Sunday evening near Charleston, South Carolina. This is the second marriage for Reynolds – he was previously married for two years to Scarlett Johansson – and the first for Lively. Reynolds was also engaged to Alanis Morissette for over two years in the mid-2000s. The wedding sounds like it was quite the event: it took place in a white tent on an old Southern plantation, Florence Welch of Florence and the Machine performed, a cake was driven all the way down from Virginia, and Bette Middler was probably there. The couple have dated publicly for just under a year, and recently bought a home togther in Bedford, New York.

domenica 9 settembre 2012

NEWS - Studio Usa (e getta): vedere e rivedere una serie tv fa bene. Anche "Terra Nova"?
Roma (Adnkronos Salute) - Il singolare risultato di una ricerca scientifica promuove i palinsesti estivi, che tendono a riproporre show e serie tv non proprio nuovissimi. Sembra, infatti, che riguardare le serie televisive preferite faccia bene agli spettatori, rendendoli piu' smart e migliorandone l'autocontrollo e la forza di volonta'. I ricercatori dell'Universita' di Buffalo hanno scoperto che gli spettatori sono anche piu' abili nell'eseguire i puzzle dopo essersi sciroppati per l'ennesima volta un episodio del telefilm del cuore. Secondo l'equipe diretta da Jaye Derrick, dunque, guardare piu' volte un episodio amato aiuta a ripristinare le riserve di forza di volonta' e autocontrollo. Una sorta di pit-stop, specificamente collegato al fatto di rivedere i propri show tv preferiti, dice la Derrick. Non solo. I ricercatori,nei due esperimenti pubblicati su 'Social Psychological and Personality Science', hanno scoperto che vedere un episodio nuovo non ha gli stessi effetti positivi. "Sulla base dei nostri risultati - spiega la studiosa sul 'Daily Mail' - guardare la televisione non e' alla fin fine una cosa del tutto negativa".

venerdì 7 settembre 2012

NEWS - Anteprima: "Bunheads" di Amy Sherman Palladino da febbraio su Mya (Mediaset Premium)


giovedì 6 settembre 2012

NEWS - Clamoroso al Cibalix! JJ Abrams una ne fa e cento ne assembla: progetto su poliziesco alla "Robocop" per Fox
Notizia tratta da "The Hollywood Reporter"
Fringe duo J.J. Abrams and J.H. Wyman are reteaming for a sci-fi project set up at Fox. The new show is set in the not-so-distant future, like Abrams' upcoming NBC drama Revolution, and revolves around LAPD officers who are now partnered with highly evolved humanlike androids. The network, which will wrap Fringe following a 13-episode final season this year, has given a pilot-production commitment to a futuristic cop drama, The Hollywood Reporter has confirmed. Wyman will pen the untitled project and executive produce alongside Abrams and Bryan Burk for Bad Robot and Warner Bros. Television, where Abrams is based. Kathy Lingg will co-executive produce. The buddy-cop drama comes as Abrams prepares to wrap Fringe with a fifth and final season and as the prolific producer is poised to launch NBC's postapocalyptic drama Revolution -- which is set 15 years in the future.  
GOSSIP - Shannen, fatti da parte, la vera ribelle "without a Coke" è ora Jennie Garth!

Ne sono passati di bagordi e Telegatti dai tempi del telefilm-matrix "Beverly Hills, 90210", ma le sue stelle non sembrano smettere di brillare. Dopo l'intervista di alcuni giorni fa di Shannen Doherty a "Vanity Fair" in cui l'ex ribelle ha compiuto un mezzo pentimento carpiato, escono le foto bikinate di fine estate della collega di set Jennie Garth. Le due si sono riconciliate di recente sul set del sequel "90210", ma ora la corona di "rebel without a coke" sembra in mano alla bionda...anzi, al dito medio che fa capolino specchiato nei Rayban ed esaltato dal due pezzi giallo limone...Sembrano tornati i tempi in cui Jennie, invitata in Italia a ricevere il Telegatto per "BH", fu portata in una discoteca a Curno a festeggiare tra un nugolo di fans adoranti al grido di "faccela vedè, faccela toccà". Lei incurante dei cori incomprensibili, ringraziava tra una Coca Cola e l'altra stringendosi al fidanzato che sembrava aver gradito la chilata di casoncelli sbafati un'oretta prima.

martedì 4 settembre 2012

GIOCO DEI TELEFILM - Qual è il telefilm sul quale pensate di sapere tutto (ma proprio tutto)?
In occasione dell'uscita a Novembre 2012 de "Il Gioco dei Telefilm" di Leopoldo Damerini e Fabrizio Margaria, il primo gioco in scatola sulle serie tv lungo 750 domande di varia difficoltà (facili, intermedie, difficili, quasi impossibili) ed epoche (dalle origini ad oggi), prodotto da Ghenos Games, viene da chiedervi: qual è la serie tv sulla quale pensate di sapere tutto (ma proprio tutto) dopo averla "consumata" con gli occhi...? "Il Gioco dei Telefilm" è presente già su Twitter (@GiocoTelefilm), stay tuned!

lunedì 3 settembre 2012

TWITTER JAM - Aridaje col festival fotocopia!

Telefilm Festival ‏@TelefilmFest

Il #RomaFictionFest celebra le web series. Strano, non l'aveva già fatto qualcuno qualche tempo fa? #ilTelefilmFestivalpiùdiunannofa
 

venerdì 31 agosto 2012

NEWS - Ecco perchè "Arrow" deve andare a lezione (di tiro) da "Smallville", "Buffy", "24", "Heroes" e "Vampire Diaries"...
Get ready for another superhero series!
This fall on The CW's Arrow, fans will get to follow the exploits of DC Comics' Oliver Queen (Stephen Amell), a playboy who spent five years on a deserted island after a horrific boating accident. The prodigal son will return home and use the alias Green Arrow, a superhero who's super handy with a bow and arrow, to save his precious Star City from the criminals who lie in wait. Arrow has all the trademarks of a great superhero series, including a lost love — Katie Cassidy as Dinah "Laurel" Lance — and the loss of a, spoiler alert, parental figure.

With the premiere of Arrow, The CW has the chance to once again be the home to a long-running superhero series that will not only attract Smallville followers, but also comic book aficionados and fanboys — and even fangirls! — alike. But — and this is a big but — the writers behind Arrowneed to adhere to certain rules in hero series as to not make the same mistakes of the past. Therefore, we've created a list of things that Arrow should and shouldn't do in order to be successful based on tried-and-true heroic formats:
1. Smallville: Give fans what they want! Tom Welling & Co. were insistent on sticking to the "no tights, no flight" rule, disappointing fans wanting to see Superman flying in his iconic suit until the series' final episode. The big moments of the Green Arrow canon should — and hopefully will — happen sooner, rather than later. (Fortunately, fans won't have to wait long to see Ollie in costume since he suits up in the pilot.)
2. Buffy the Vampire Slayer: Tortured love works. Watching Buffy (Sarah Michelle Gellar) and Angel (David Boreanaz) doing the will-they-or-won't-they dance was an ever-present necessity considering if they did, ahem, get together, he'd go crazy and kill everyone. Plus, Buffy had to focus on saving the world, which is precisely what Ollie will also be doing. (You'll have to wait a while for the Ollie and Dinah romance since he seriously breaks her heart in the premiere.)
3. 24: Keep the action high. The Kiefer Sutherland-starring series was at its best when Jack Bauer was constantly running around trying to save the world — so that's pretty much always. The high-intensity, action-packed drama kept fans on the edge of their seats. While there's no countdown clock in Arrow, here's hoping they keep up that same fast-paced action.
4. The Cape: Don't take yourself too seriously. The short-lived NBC series was all camp, much like the original Batman fare. However, The Cape spent much of the time trying to be dark, when it should've embraced the ridiculousness of its premise: a man dressed in a costume trying to save the world. Arrow, a much darker series in its own right, just needs to find the right balance of both.
5. Touch: Keep it simple, stupid. Fox's midseason series was just a touch too complicated, with a mess of intertwining story lines that sometimes had fans scratching their heads  or taking notes to keep it all straight. (It's OK, Lost did it, too.) Dear Arrow, one story line a week, that's all you need. Just make sure to find a balance between longer arcs and "villains of the week." 
6. Heroes: Don't stray too far from your central characters. The NBC super series was in its prime during the first season, when the show focused solely on saving the cheerleader, and those who helped along the way. But once the world of Heroes opened up to, well, the rest of the world, the series lost touch with the heart of the show. As long as Arrow stays focused on Ollie, and by extension, Dinah, it should be easier for fans to follow.
7. Batman Begins: Keep it gritty and grounded. Christopher Nolan's remake of the Batmanfranchise surpassed its campy predecessors simply by finding the right balance of danger and darkness in a realistic world. Sure, Christian Bale still flies through the air as a giant bat, but audiences can actually relate to him because Bale plays him as an everyman — who just so happens to be a billionaire.
8. Green Lantern: Don't go overboard with special effects. Just because you can afford to create a whole world on a computer, doesn't mean you should. We're also looking at you, newStar Wars trilogy. Green Lantern was far less believable knowing it was all created using a mouse and keyboard. Plus: Who needs to use that much CGI for a guy shooting arrows?
9. Superman Returns: Don't assume the audience knows everything about the mythos.Even the most diehard Superman fans were at a loss over this travesty of a remake. (Had to actually Wikipedia where this film fell in the mythology after watching it — after II, ignoring III and IV.) In that same vein, try not alienate the audience by inserting too many inside references to the Green Arrow canon. A few for the dedicated comic book fans are great, but don't cross the line,Arrow.
10. Iron Man: Don't make the hero's real life so ostentatious. Both Tony Stark (Robert Downey Jr.) and Oliver Queen are playboys-turned-superheroes, but Iron Man often crossed the line into ridiculous territory with lavish parties, expensive cars and the like, making him one of the least relatable superheroes. Keep it balanced, Arrow!
11. The Avengers and X-Men: Bring on the superhero friends! Both of these films proved that getting a bunch of superheroes together is a good idea. Since the Green Arrow is a member of the Justice League, it should be no problem — rights pending, of course — to bring on a few of the iconic team members. Though, they can hold off on bringing Superman around considering the new series should put some distance between itself and Smallville. Plus: Make sure Dinah actually takes on the Black Canary alias within the first season.
12. The Vampire Diaries: Don't be afraid to take big risks. CW's other "hero" series — vampires can be good people, too! — was certainly unafraid to kill off their main character in the closing moments of last season's finale. Sure, Elena (Nina Dobrev) will come back as a vampire next season, but it radically alters the climate of the series. Arrow should strive to be as willing to take their viewers over the cliff — as long as there's a safety net ready to catch us at the last minute.
What do you think Arrow should do to be successful?
Arrow debuts Wednesday, Oct. 10 at 8/7 on The CW. Will you be watching?
(Articolo tratto da "Tv Guide")

mercoledì 29 agosto 2012

NEWS - Forza, torna a "Dallas"! Da ottobre su Canale 5 il sequel revival con la next generation di J.R.

Articolo di Renato Franco per il "Corriere della Sera"
"Il petroliere texano dell' ultradestra conosce solo due espressioni: il ghigno perfido con il cappello cafone da cowboy in testa oppure senza. Di nuovo sui nostri schermi a oltre vent' anni di distanza, che non ne hanno affatto ammorbidito il carattere. Anzi, è noto, invecchiando si peggiora. John Ross - abbreviato in J. R., italianizzato in Gei Ar - indissolubilmente legato a «Dallas», inteso come telefilm, torna a cospirare come ai bei tempi. Poteva sembrare un' operazione nostalgia - prendi tre protagonisti di una serie il cui episodio finale della stagione 1979-1980 venne visto da 85 milioni di americani e li riporti alle antiche trame. Spesso va male. Invece il nuovo «Dallas» ha evitato di sembrare una dependance di Villa Arzilla (con tutto il rispetto per le dependance), tanto che la tv via cavo americana che l' ha trasmesso ha annunciato già la seconda serie. La prima arriva su Canale 5 in prima serata dall' autunno (probabilmente ottobre, data da stabilire). La critica, con qualche distinguo, ha approvato. Per Variety «la serie è esattamente come dovrebbe essere», in particolare uno dei punti di forza è «l' abilità di sposare vecchio e nuovo», raccontando la nuova generazione della famiglia Ewing senza trascurare i «terribili vecchietti». Come allora al centro della trama ci sono litigi, amori e intrighi della famiglia Ewing, magnati nel ramo petrolio e nell' allevamento industriale di bestiame. Ma mentre in passato «Dallas» aveva raccontato le rivalità per il controllo del greggio tra gli Ewing e i Barnes, i loro acerrimi nemici, ora l' attenzione si sposta sulla nuova generazione e la faida si fa interna. Al centro della storia è la lotta per il potere tra i due cugini, non diversi da cani da combattimento: John Ross III (l' attore Josh Henderson), figlio di Gei Ar, e Christopher Ewing (Jesse Metcalfe), figlio adottivo di Bobby, che si scontrano per decidere il futuro della famiglia. Poi siccome un po' di sesso non guasta, tra tutte le donne del pianeta, solo una sarà quella che interessa a entrambi. Tra i reduci di «Dallas» 1978 oltre al Gei Ar-Larry Hagman (81 anni a settembre, un cancro battuto di recente), ci sono anche Linda Gray (70), ovvero Sue Ellen, moglie infelice e alcolizzata di Gei Ar, e Patrick Duffy (63) nel ruolo di Bobby Ewing, il fratello semibuono di Gei Ar. Perché alla fine, sotto sotto, ma neanche tanto, una fiammella più o meno viva di rancore e perfidia è nel Dna di tutta la famiglia, perché quello degli Ewing e dintorni è un mondo popolato di «cattivi», intuizione che è stata al tempo stesso la novità e il tratto distintivo della serie tv. Non a caso la passione equamente divisa per la corruzione, l' alcol e le donne, la convenienza come regola di vita, la coscienza come inutile orpello dell' anima hanno fatto entrare Gei Ar in una lista dei venti migliori cattivi del cinema stilata da Entertainment weekly. Perché guardare oggi «Dallas»?, hanno chiesto a Larry Hagman: «A quel tempo, vent' anni fa, eravamo in un periodo di recessione. In quei giorni, la gente doveva rimanere a casa perché non poteva uscire e andare al ristorante, prendere una baby sitter e guardarsi un film. Il primo "Dallas" e il sequel sono stati registrati e vanno in onda nella stessa situazione, entrambi in tempo di recessione. Così la gente deve guardare "Dallas", altrimenti non ha altro da fare...». E ride. E sembra di vederlo, il suo ghigno".

lunedì 27 agosto 2012

NEWS - "Sono Panettiere, non Taylor Swift!": la prossima interprete di "Nashville" respinge le ipotesi che il suo personaggio s'ispiri alla figura della country singer
Articolo tratto da JustJared.com
Hayden Panettiere wears a fashionable Bec & Bridge ‘Bianca Adventurer’ fedora at the Nashville panel during the 2012 Summer TCA Tour in Beverly Hills, Calif. The 22-year-old actress chatted about the comparisons between her character Juliette and reigning country princess Taylor Swift at the panel. “I’ve heard the Taylor Swift thing quite a bit and I think besides being around the same age and blond — not even the height — they are different” Hayden shared. Hayden added, “I when think you guys see her and get to know Juliette a little better, you’ll see. But I really think Taylor would disagree wholeheartedly as well. She’s much nicer than my character.”

FYI: Hayden is wearing an alice+olivia dress with a J Brand jacket, Louboutin booties and Sethi Couture earrings.

"Il trivial game + divertente dell'anno" (Lucca Comics)

"Il trivial game + divertente dell'anno" (Lucca Comics)
Il GIOCO DEI TELEFILM di Leopoldo Damerini e Fabrizio Margaria, nei migliori negozi di giocattoli: un viaggio lungo 750 domande divise per epoche e difficoltà. Sfida i tuoi amici/parenti/partner/amanti e diventa Telefilm Master. Disegni originali by Silver. Regolamento di Luca Borsa. E' un gioco Ghenos Games. http://www.facebook.com/GiocoDeiTelefilm. https://twitter.com/GiocoTelefilm

Lick it or Leave it!

Lick it or Leave it!