Visualizzazione post con etichetta Kristen Bell. Mostra tutti i post
Visualizzazione post con etichetta Kristen Bell. Mostra tutti i post
martedì 17 ottobre 2017
GOSSIP - Kristen in forma! La Bell di "Veronica Mars" confida il suo segreto di bellezza: "voglio sempre sapere cosa metto nel mio corpo!"
Kristen Bell looks so relaxed and happy on the cover of Shape magazine’s November 2017 issue, on newsstands October 17. Here’s what the 37-year-old actress had to share with the mag:
On teaching her daughters about being healthy: “It’s important to me to show my children that I care about my health and fitness enough to stay committed. So when I’m in their room with them, I’ll do squats. When they ask what I’m doing, I’ll say I’m getting my physical fitness in…it’s a value I want to instill in my kids at an early age – that paying attention to your body is mandatory.”
On finding time to workout: “At work, while I’m running through lines with my fellow actors, I’ll be leaning backward on a chair doing tripcep dips. At home, when my kids and I are on a walk, and they’re meandering and looking at leaves, I’ll do lunges. I get it in however and whenever I can.”
On her best healthy habit: “My best healthy habit is knowing how to read a nutrition label…I try to balance everything…I appreciate understanding what I’m putting into my body.”
martedì 24 gennaio 2017
sabato 30 luglio 2016
GOSSIP - Cartoline dal Comicon! Le peggio vestite tranne una...(indovinate chi)
Etichette:
GOSSIP,
Katheryn Winnick,
Keke Palmer,
Kristen Bell,
Lana Parrilla,
Lauren Cohan,
Lea Michele,
look,
Maggie Q,
Marie Avgeropoulos,
Melissa Benoist,
Nathalie Emmanuel,
sexy,
SGUARDO FETISH,
Tacchi
giovedì 14 luglio 2016
GOSSIP - Clamoroso al Cibali! Kristen Bell: "ho cambattutto la depressione!"
Kristen Bell takes the cover of Redbook magazine’s August 2016 issue. Here’s what the 35-year-old Veronica Mars star had to share with the mag:
On opening up about battling depression: “It didn’t occur to me that I would help anybody. Also, I didn’t expect to be so moved by people’s comments on social media about how they had been prescribed medication and never wanted to take it until now because it finally didn’t feel shameful. You’re labeled as a failure if you can’t kick depression. That’s bulls–t. You would never deny a diabetic his insulin and go, ‘Why can’t you process sugar on your own?’”
On husband Dax Shepard getting jealous: “Every now and again, but he layers it in comedy. When I get ready for a red-carpet event, he’ll say, ‘Don’t get too confident tonight and think of leaving me!’ I’m like, ‘You’re lucky that nobody at this party is going to be as interesting as you are!’”
On how she and Dax work well: “We fought a lot and I loved a dramatic exit. It I could slam a door, I felt so powerful. If I could get in my car and screech away, it was even better…. He said to me, ‘If we have an issue, you can’t leave. We’re going to talk or I’m not going to do this with you.’ I loved him so much that I was like, I better get my act together.”
For more from Kristen, visit RedbookMag.com.
Kristen Bell takes the cover of Redbook magazine’s August 2016 issue. Here’s what the 35-year-old Veronica Mars star had to share with the mag:
On opening up about battling depression: “It didn’t occur to me that I would help anybody. Also, I didn’t expect to be so moved by people’s comments on social media about how they had been prescribed medication and never wanted to take it until now because it finally didn’t feel shameful. You’re labeled as a failure if you can’t kick depression. That’s bulls–t. You would never deny a diabetic his insulin and go, ‘Why can’t you process sugar on your own?’”
On husband Dax Shepard getting jealous: “Every now and again, but he layers it in comedy. When I get ready for a red-carpet event, he’ll say, ‘Don’t get too confident tonight and think of leaving me!’ I’m like, ‘You’re lucky that nobody at this party is going to be as interesting as you are!’”
On how she and Dax work well: “We fought a lot and I loved a dramatic exit. It I could slam a door, I felt so powerful. If I could get in my car and screech away, it was even better…. He said to me, ‘If we have an issue, you can’t leave. We’re going to talk or I’m not going to do this with you.’ I loved him so much that I was like, I better get my act together.”
For more from Kristen, visit RedbookMag.com.
venerdì 3 luglio 2015
PICCOLO GRANDE SCHERMO - Achtung! Il film di "CHiPs" si mette in...moto: Kristen Bell nel cast!
News tratta da "Collider"
We last head about Dax Shepard’s adaptation of CHiPs last September when he commented on the film by saying that it would be more serious than the original TV series, which ran from 1977-1983. However, we didn’t know when California Highway Patrol motorcycle cops Don Baker (Shepard) and Frank “Ponch” Poncherello (Michael Pena) would be hitting the road. Pena said that the project was greenlit two or three weeks ago, which means he’s been preparing for the role:
"I had to start learning how to ride a motorcycle, rehearsing, and then working out. I’ve been throwing up like every day after workouts. I like food, you know? And I also like reading, being on my iPad, no walks in the park; just chilling with my son. We just lounge and this [gestures to stomach] gets bigger".
Pena also revealed that the movie would be set in the present day, and reiterated Shepard’s earlier statement that the film would be in the vein of Lethal Weapon. Specifically, don’t expect a comedy that’s barraging you with jokes:
News tratta da "Collider"
We last head about Dax Shepard’s adaptation of CHiPs last September when he commented on the film by saying that it would be more serious than the original TV series, which ran from 1977-1983. However, we didn’t know when California Highway Patrol motorcycle cops Don Baker (Shepard) and Frank “Ponch” Poncherello (Michael Pena) would be hitting the road. Pena said that the project was greenlit two or three weeks ago, which means he’s been preparing for the role:
"I had to start learning how to ride a motorcycle, rehearsing, and then working out. I’ve been throwing up like every day after workouts. I like food, you know? And I also like reading, being on my iPad, no walks in the park; just chilling with my son. We just lounge and this [gestures to stomach] gets bigger".
Pena also revealed that the movie would be set in the present day, and reiterated Shepard’s earlier statement that the film would be in the vein of Lethal Weapon. Specifically, don’t expect a comedy that’s barraging you with jokes:
It’s more like a Lethal Weapon where there’s a lot of action and what we wanted to do is if there’s any comedy that we do, it’s not like one-liners here and there, like we’re the guys always being stand-up comedians. It’s almost like you lose a little bit of the plotline whenever you’re off doing your own comedy thing, so we’re focusing a little more on the plot, if that makes any sense whatsoever.Following up on his comment about how the movie will be “Lethal Weapon-ish”, he added that they’re going for an R-rating, which should be interesting. At the very least, it looks like they’re definitely avoiding the Starsky & Hutch approach. Finally, Pena also noted that the film will co-star Vincent D’Onofrio and that they’re trying to get Kristen Bell (who’s married to Shepard) for a role, so it looks like they’re putting together a strong cast this adaptation. I have no feelings one way or the other about the CHiPs TV series, but I like these actors, and it sounds like they have a solid take on the material, so I’m excited to see what they do with it.
lunedì 8 settembre 2014
PICCOLO GRANDE SCHERMO - Fate Estrada! Il film di "Chips" si mette in...moto!
Warner Bros has set Dax Shepard to write, direct and star in a screen version of CHiPS,
that TV series that ran from 1977-83 and featured two officers who
patrolled the highways of California armed with motorcycles and the
tightest khaki cop uniforms in television history. Shepard will play
Officer Jon Baker (played in the original by Larry Wilcox), while Michael Pena is attached to play Frank “Ponch” Poncherello, the role Erik Estrada originated. Rick Rosner created the NBC series. This is the most serious Warner Bros has been in turning CHiPS into a film. The studio tried it years ago, after That ’70s Show
star Wilmer Valderrama showed up in the office of exec Greg Silverman
(who’s now running production at the studio). Dressed in the signature
tight-fitting uniform, Valderrama merely said, “Funny, right?” — and he
walked out with a deal and an intention to play Ponch. Apparently it
wasn’t funny enough because while TV shows from that era such as Starsky & Hutch and The Dukes Of Hazzard got movie transfers, CHiPS stalled. The new take is envisioned as much in the tone of Bad Boys and Lethal Weapon than a comedy. Shepard is known mostly in humorous roles and the series Parenthood. He’s actually a professional driver of race cars and motorcycles, and he expects to be performing his own riding and stunts. Andrew Panay is producing, along with Shepard’s Primate Pictures. Rosner
will be exec producer, and Warner Bros execs Jesse Ehrman and Nik
Mavinkurve will oversee for the studio. Shepard most recently directed
and wrote the indie comedy Hit & Run, which he starred in with Kristen Bell. CHiPS will be the first one for a studio.
Etichette:
Chips,
Dax Shepard,
Erik Estrada,
Hazzard,
Kristen Bell,
Larry Wilcox,
Michael Pena,
Parenthood,
PICCOLO GRANDE SCHERMO,
Starsky e Hutch,
That '70s Show,
Wilmer Valderrama
mercoledì 30 aprile 2014
GOSSIP - Mars attack! Kristen Bell si denuda per "Allure" (chissà se era "Playboy"...)
"This is the first interview I've ever done where I'm not wearing panties. Lucky you," says Kristen Bell. She has just stripped down for Allure's annual nudes shoot (in the May issue of Allure, on newsstands now). And so did three other courageous actresses: Minnie Driver, Jenna Dewan Tatum, and Nia Long. "I was a little bit nervous, but I actually really love my body—it's done amazing things for me," says Driver of the experience. "There's such a grace to being confident in who you are." We asked the women what it feels like to disrobe for America.
"This is the first interview I've ever done where I'm not wearing panties. Lucky you," says Kristen Bell. She has just stripped down for Allure's annual nudes shoot (in the May issue of Allure, on newsstands now). And so did three other courageous actresses: Minnie Driver, Jenna Dewan Tatum, and Nia Long. "I was a little bit nervous, but I actually really love my body—it's done amazing things for me," says Driver of the experience. "There's such a grace to being confident in who you are." We asked the women what it feels like to disrobe for America.
Kristen
Bell is candid about her body: "My belly skin has made me
self-conscious, and it's only gotten worse since I've had a baby," says
the 33-year-old actress (House of Lies, Veronica Mars). "I have definitely and happily used a body double. It's a very nice thing to be able to rely on." So why pose nude for Allure
less than a year after having her baby? "I talk a big game about being
comfortable no matter my size," she says. "I wanted to put my money
where my mouth was."
What's your favorite body part? "I'm a big fan of buns. Buns and cakes. On anybody. Not just my own. I mean, I'm a fan of my own buns. I'm very happy with the amount that I've been given, and I often attempt to sculpt them into something more than what I've been given. But I notice other people's buns quite a bit."
Were you comfortable with your body while you were pregnant? "I was terribly frightened that I would feel like a schlub and not at all beautiful. But I've never been so comfortable with my body. When I looked in the mirror, I saw Cindy Crawford."
How did you exercise after your daughter was born? "I started doing Pilates, then I realized it wasn't as torturous as regular cardio, so I've kept it up. I'm more in shape now than I've been at other times in my life."
If there's one person you don't want to see these pictures, who is it? "I'm not concerned with anyone. I hope it's not misinterpreted, but that's too big of a problem for me to actually think about."
What's your favorite body part? "I'm a big fan of buns. Buns and cakes. On anybody. Not just my own. I mean, I'm a fan of my own buns. I'm very happy with the amount that I've been given, and I often attempt to sculpt them into something more than what I've been given. But I notice other people's buns quite a bit."
Were you comfortable with your body while you were pregnant? "I was terribly frightened that I would feel like a schlub and not at all beautiful. But I've never been so comfortable with my body. When I looked in the mirror, I saw Cindy Crawford."
How did you exercise after your daughter was born? "I started doing Pilates, then I realized it wasn't as torturous as regular cardio, so I've kept it up. I'm more in shape now than I've been at other times in my life."
If there's one person you don't want to see these pictures, who is it? "I'm not concerned with anyone. I hope it's not misinterpreted, but that's too big of a problem for me to actually think about."
giovedì 13 febbraio 2014
sabato 4 gennaio 2014
giovedì 5 dicembre 2013
PICCOLO GRANDE SCHERMO - Habemus! Il film di "Veronica Mars" dal 14 marzo
Notizia tratta da "Entertainment Weekly"
On March 13, 2013, Veronica Mars creator Rob Thomas asked fans of the acclaimed, gone-too-soon teen detective drama starring Kristen Bell to Kickstart a big screen revival. Fitting, then, that Marshmallow Nation will get to see what their $5.7 million paid for on the one year anniversary of the groundbreaking fundraising campaign: In an exclusive interview, Thomas tells EW that Warner Bros. will release the movie — simply titled Veronica Mars — on March 14, 2014. “Warner Bros. had this date circled for quite some time and hoped it would stay open,” Thomas tells EW. “Luckily, no other teen detective movie decided to open in the middle of March.”
The original distribution plan called for Veronica Mars to get a limited engagement run in just a few cities before becoming more widely available via video on demand and other digital platforms. But Thomas reports that Warner Bros. will now give the film a wider, nationwide release (number of screens still TBD) and let the marketplace decide how long it should stay in theaters. “We’re not going to dribble it out there,” says Thomas, who shot the movie in 23 days this past summer. He is currently finishing the special effects and putting together a soundtrack. Thomas also reports that a recent test audience screening went very well. “There are smart ways to do a movie of this size — and we chose none of them,” he says with a laugh. “We are a low budget movie with big set pieces and 60 speaking roles. A murder mystery in a house would have been more cost effective. But I think we have managed to pull it off.”
In the movie, Veronica returns to her hometown of Neptune, California, after 10 years away to aid former flame Logan (Jason Dohring), who has been accused of killing his pop star girlfriend. The original cast is back, including Enrico Colantoni as Veronica’s father and Tina Majorino and Percy Daggs III as Veronica’s best friends Mac and Wallace. Fans will see many other of their favorite characters, too, because after all: “10 years away” = 10 year high school reunion.
Notizia tratta da "Entertainment Weekly"
On March 13, 2013, Veronica Mars creator Rob Thomas asked fans of the acclaimed, gone-too-soon teen detective drama starring Kristen Bell to Kickstart a big screen revival. Fitting, then, that Marshmallow Nation will get to see what their $5.7 million paid for on the one year anniversary of the groundbreaking fundraising campaign: In an exclusive interview, Thomas tells EW that Warner Bros. will release the movie — simply titled Veronica Mars — on March 14, 2014. “Warner Bros. had this date circled for quite some time and hoped it would stay open,” Thomas tells EW. “Luckily, no other teen detective movie decided to open in the middle of March.”
The original distribution plan called for Veronica Mars to get a limited engagement run in just a few cities before becoming more widely available via video on demand and other digital platforms. But Thomas reports that Warner Bros. will now give the film a wider, nationwide release (number of screens still TBD) and let the marketplace decide how long it should stay in theaters. “We’re not going to dribble it out there,” says Thomas, who shot the movie in 23 days this past summer. He is currently finishing the special effects and putting together a soundtrack. Thomas also reports that a recent test audience screening went very well. “There are smart ways to do a movie of this size — and we chose none of them,” he says with a laugh. “We are a low budget movie with big set pieces and 60 speaking roles. A murder mystery in a house would have been more cost effective. But I think we have managed to pull it off.”
In the movie, Veronica returns to her hometown of Neptune, California, after 10 years away to aid former flame Logan (Jason Dohring), who has been accused of killing his pop star girlfriend. The original cast is back, including Enrico Colantoni as Veronica’s father and Tina Majorino and Percy Daggs III as Veronica’s best friends Mac and Wallace. Fans will see many other of their favorite characters, too, because after all: “10 years away” = 10 year high school reunion.
martedì 30 aprile 2013
PICCOLO GRANDE SCHERMO/GOSSIP - Penn Badgley, la fama non a tutti i costi
Articolo tratto da "Vulture"
Penn Badgley slaloms up to me in Tompkins Square Park on a skateboard, wearing a gray sweatshirt and red sneakers, recognizable but unrecognized as the disaffected starlet-boy of the rococo teen soap Gossip Girl, which concluded its sixth and final season in December. He wanted to meet here because Jeff Buckley—the gorgeously warbling nineties alt-folk singer Badgley plays in a murky, heartfelt movie that premiered last week at the Tribeca Film Festival—used to perform for tips nearby at Sin-é, a long-gone café at 122 St. Marks Place, beyond the edge of the park. As we walk, Badgley, carrying his board, shows me the spot where a well-known-to-his-fans photo of Buckley was taken, contemplating his own reflection in a puddle, in 1993. Buckley didn’t live much longer: He was 30 when he drowned during an ill-advised, at least somewhat suicidal dip in Memphis’s Wolf River in 1997. The film, Greetings From Tim Buckley, is named for Jeff’s father, another mythic folksinger who also died young, of a heroin overdose, in 1975. Neither father nor son got to be much older than Badgley is now (26), so as far as bohemian tragedies go, the Buckleys are a doubly sad tale. And, for a CW star keen to be seen more as an artist and heir to the counterculture, doubly irresistible.
Badgley got the role in Gossip Girl in 2006, when he was 19, and has been trying to distance himself from it ever since. He likes to tell reporters about how he turned down the part at first—he was worried that he’d never get out of it. But the producers couldn’t find a better person to inhabit Dan Humphrey, the son of a run-aground nineties rock star who didn’t drown or OD but instead lived on in a loft in Brooklyn, ran an art gallery, and sent his two kids to an Upper East Side private school. Compared to his fellow students—super-styled, sexed-up, and scheming—Badgley’s Dan was the moralistic outsider, or what passes for one on a show produced by the guy who created The O.C. He wore an Army jacket over his school tie in the first season and was known as “lonelyboy.”
What bothered Badgley most about the role was not the predictability of the character, or how phantasmagorically plotted the whole thing became as season whirled into season, but that many viewers thought he was, somehow, actually Dan—a conflation the show and its state-of-the-art publicity apparatus encouraged, of course. (As did this magazine; from 2008: “Penn … for the record is pretty much exactly like Dan, all cheekbones and philosophical musings.”) But truth be told, Badgley did his part, too, getting involved, in real life, with Blake Lively, who played Dan’s onscreen “It” girl girlfriend, Serena van der Woodsen. And while Lively moved seamlessly into becoming Serena—she’s as convincing a luxury product as the buttery bag she clutches in those Chanel ads—Badgley couldn’t put a cork in his droll grousing. “Gossip Girl is certainly not my driving, passionate force in life, obviously,” he told reporters. He wanted to be an “artist,” he said, but found himself “on a fucking TV show” instead, and wondered, often enough, What the fuck am I doing?
In a world of anodyne actors programmed for sunny evasion, his self-alienation is appealing, if maybe not entirely relatable, coming from such a pretty face. It’s a tricky business to try to be a sincere celebrity, skeptical of one’s own celebrity, maybe even the idea of celebrity, while also not coming across as bitter or self-defeated. And, okay, it’s all in keeping with the character he played, who wrote a book about his milieu and, in the final episode, turned out to be the show’s snarky blogger-narrator posting about his privileged fellow students (in voice-overs read, in what a more finicky critic might call a “continuity error,” by Kristen Bell).
But whereas Dan was accepted into the Gossip Girl ruling-class “family” in the end, Badgley is glad to be escaping from the Upper East Side. He’s dating a different kind of New York aristocrat, Zoë Kravitz, the singing and acting and jewelry-designing daughter of nineties rocker Lenny Kravitz. (“We’d known each other for years, but not well,” he explains. “I think we’d both assumed the worst of each other, you know what I mean?” Even famous people, apparently, can’t see past each other’s fame.) He took an apprentice-like role in Margin Call, a portentous high-finance-in-crisis drama starring Jeremy Irons, Paul Bettany, and Kevin Spacey at their most robustly Shakespearean (and has a grim-sounding, apocalyptic indie drama called Parts Per Billion coming up next). He played some music with some friends in a Williamsburg band called Reputante and joined a retreat to the mountains of Colombia to meet local shamans. And he was photographed at Zuccotti Park holding up a sign that read BRING BACK THE GLASS-STEAGALL ACT (before hoisting it to the park, he’d Googled the law to make sure the message on the sign was “positive”). With some socially adept friends, he held a series of Occupy teach-ins at the Bowery Hotel, and even wore a WE ARE THE 99% T-shirt, standing next to Mayor Bloomberg while being photographed on the Gossip Girl set. “I found that the hardest thing that I could do was tell some of the people closest in my life that I was, like, you know, associating with Occupy. The people were like, ‘Now, what is that? You have money!’ And it’s like, ‘What the fuck are you talking about? That has nothing to do with it …’ ” He trails off, distracted by Lively’s image on top of a passing cab in an ad for People’s StyleWatch.
“Oh, I’m sorry,” he says. “It’s just funny that that rolled along just as I was saying that.”
The next time I see him is weeks later, and he’s wearing the same sweatshirt and sneakers. He and Kravitz had been away in the wilds of Brazil, and he’s invited me over to their sunny, casual brick-walled Williamsburg loft: red sofa and chair, an array of friendship bracelets on the side table, a big bottle of Jack Daniel’s on the bar. No, the big Indian chief headdress is not his, it’s hers, and she wore it at Burning Man. He makes me Yogi tea—“The rhythm of life is when you experience your own body mind and soul” reads the tag—and we talk about the books on the table he intends to read (Haruki Murakami’s 1Q84), has started reading (Rebecca Skloot’s The Immortal Life of Henrietta Lacks), or that are just “decorative” (a pleasing old edition of Molière that Kravitz picked up from the concrete block in the building’s lobby Badgley calls the “offering stone”).
They don’t own this place, only rent it, he explains, as he digs into a bag of raw granola, a surprisingly tasty snack habit left over from when he was eating only raw food while trying to lose weight to prepare for the Buckley role. “I remember in my head thinking, I’m never going to be able to get as thin as him, so I’m just going to stop working out,” says Badgley, munching. “I’m just going to stop getting in the sun. I’m just going to try to get as thin and pale as possible.” He describes raw food as “rocket fuel.” There’s a yoga mat rolled up by a chair.
Seven years after the Gossip Girl adventure began, he’s living the way young boho types are often depicted living in television shows, which is something he can actually afford perhaps only because he was actually on a television show. The apartment is full of boxes of records (Louis Armstrong, Stevie Wonder, Violent Femmes), multiple guitars, one ukulele, and gilt-framed portraits of Jimi Hendrix (they’re Kravitz’s). By the sofa is an art book called Carnival Strippers,next to Richard Heinberg’s The End of Growth and a glass jar full of tiny colorful plastic airplanes. Suspended from one wall is a digital projector to watch movies through the PlayStation (they don’t have a TV).
“When I saw it plugged in and working for the first time, I just started laughing to myself, giggling,” he says, not giggling. “This is absurd. I’ve done something, I’ve made it. Look at where I live. I mean, all of my friends live very much the way I do except for the fact that they have no money, you know what I mean? We all hang out, we do the same things, we all live in a similar way, and I happen to have this massive, beautiful apartment.”
I ask him about the show that got him that apartment—the series took a couple of especially shark-jumpy turns in those last few seasons, which Badgley annotated with eyerolls to the press, even as the episodes unfolded.
“I have to bite my tongue there,” he says, then keeps talking. “The end was strange for me, for all of us. Because the characters did all end up together. That has been my problem with television—you start with something real, and it eventually becomes, against all odds, How do these six people still hang out every day? It’s fucking crazy. It’s impossible. I mean, those six people—why do they even keep hanging out? Because they have to, because they’re on a show. So you start to figure out these asinine ways to keep them all together. Eventually, you have this group of kids circumventing the FBI, dealing with ghosts. And that’s not anyone’s fault. That’s not the writers’ fault. It’s just the nature of television. And that’s why after so many years of working in it, I was, Seriously? I cannot do this anymore.” That the disposable ironic escapism of TV does not appeal to Badgley is one reason why he plays sensitive petulance so well. “It’s not to discredit whatever success I have, but right now being famous, being successful, whatever, it exists in this giant gray area.”
Besides, he knows he’s “not that big” (though don’t tell that to the CW demo).
“It’s just like, so many famous people should be embarrassed.” By this, I think he means the ones who really want it; he later mentions the Kardashians. “I don’t want to be on record saying my agent—my team is great—but an agent at this stage now would be encouraging me to just do something to be strategic. Do something to keep the momentum going. And frankly I just don’t think it’s that important. Working is not important—doing something is not important. I have a lot of time. I’m young. People forget that. Because it’ll drive you crazy if you’re too aware of it. I mean, I think the cases of Tom Cruise or every celebrity that goes a little nuts—I think one of the things they go a little nuts about is, they probably have gone in for it a little too hard. Because they’re a little too aware of it.”
Badgley was born in Baltimore, but didn’t live there long. His father, Duff Badgley, started out as a newspaper reporter and later turned to carpentry and building houses. The family lived outside of Richmond, Virginia, for a while, then moved around the country a lot. “I still can’t really figure all that out,” Badgley says. “You know, as an only child, you’re kind of in a bubble, and there are all sorts of things about my childhood that I still can’t really place. But, anyway, long story short, or rather longer story less long, I ended up in Washington State living on Tiger Mountain in the middle of nowhere, with no social outlet—it was spring, and the school year didn’t start until six months later. So my mother suggested that I audition for this play.” It was The Music Man at the Seattle Children’s Theatre, which was an hour away. Badgley was 8 and says he was introverted and chubby. He sang “A Whole New World,” from Disney’s Aladdin,and got the part of Winthrop.
“I actually worked at a radio station for a little bit, and then I would do commercials and weird shit like that, and audition for bigger movies that would come to Seattle. But everybody needed a change. I was very unhappy. It was not the right place for me to be, and for a whole mess of reasons my mom and I went to L.A.”
He gets a bit vague here, but his parents’ marriage was strained around the time Penn and his mother, Lynne, decided to leave Seattle and Penn’s father for Hollywood. (She’s since moved back to Seattle but is not with his father.)
“I’m more radical politically than Penn will ever be,” Duff tells me by phone. I’ve reached him through No Biomass Burn, an environmental organization he works with in Seattle (in 2008, he was the Green Party candidate for governor in Washington). “I’m not a reformist. I’m, you know, I can’t talk about a lot of the details of my politics—radical I think is the safest word.” He’s 68 and had told his son not to ever be surprised by what he might do.
“I live like a monk. I don’t have a car,” he says. “I live really simply and on very little money. Early on, my lifestyle challenged Penn and influenced him,” he says. “I don’t watch TV, I don’t have a TV, I don’t like TV.” Nonetheless, when his son asked if he should take the Gossip Girl gig, he told him, pragmatically: “Hollywood loves people who are working.”
“I watched the first eleven episodes with rabbit ears,” says Duff. “Remember when they forced people to go digital? I refused. I suffered through that. I called Penn up and said, ‘The reception really sucks.’ And he said, ‘Dad, if you’ve seen eleven episodes, you’ve seen them all.’ ”
Greetings From Tim Buckley is its own tangled father-son story. Tim was a prolific sixties folksinger who came to New York from California and never spent time with his son Jeff, leaving him an inhibited, haunted Oedipal mess. Tim overdosed on heroin at 28, when Jeff was 8. Jeff inherited his talent but grew up to be a session musician, afraid to express himself as a singer-songwriter, to stray too close to his confusing legacy. Buckley “wasn’t a rock star by any stretch,” says Badgley. “He was really frustrated, I think.” The film is set in 1991, which is when a group of New Yorkers who’d known Tim decided to hold a tribute concert in his honor and, when they found out about Jeff, asked him to join. “This concert gave this platform to Jeff that Jeff sprung from and created his entire career from,” says Badgley, who has somewhat similar hopes for relaunching his own career off the film. “It’s significant that Jeff’s father, two decades earlier, had been the exact same kind of counter cultural subversive-icon singer-songwriter. Every other musician that was bigger than him said, ‘That’s my guy.’ They were eerily similar icons. And yet they were father and son, and they didn’t fucking know each other.”
Badgley’s father calls the movie, which demonstrates his son’s singing talent, a kind of “coming out.” “There was an interesting meta quality to the film,” says David Brendel, who was a co-writer on the film (and had never seen Gossip Girl). “The night of the tribute concert for Jeff Buckley was a crossroads. He was terrified; if you listen to recordings of that concert, his voice was shaking at times. For Penn, it was a crossroads too. He was facing different fears; he wasn’t known as a musician before this.” The film’s mood floats along on its plaintive Tim Buckley soundtrack. There is none of Jeff’s music, partly because another biopic in the works controls the rights to it.
For his audition, Badgley sang an a cappella mishmash, riffing off Led Zeppelin in falsetto. It’s a scene set in a record store in the film, and Badgley is weird, possessed, and transfixing. “He’s the only one of the 150 we saw who did that scene,” says the film’s director and co-writer, Dan Algrant. He’d never seen Gossip Girl, and found the audition “exquisite.” But once he decided to cast Badgley, he says, “then the shit hit the fan. ‘Oh, you know he’s on Gossip Girl? People are going to think this isn’t serious!’ ”
Continua a leggere l'articolo QUI.
Articolo tratto da "Vulture"
Penn Badgley slaloms up to me in Tompkins Square Park on a skateboard, wearing a gray sweatshirt and red sneakers, recognizable but unrecognized as the disaffected starlet-boy of the rococo teen soap Gossip Girl, which concluded its sixth and final season in December. He wanted to meet here because Jeff Buckley—the gorgeously warbling nineties alt-folk singer Badgley plays in a murky, heartfelt movie that premiered last week at the Tribeca Film Festival—used to perform for tips nearby at Sin-é, a long-gone café at 122 St. Marks Place, beyond the edge of the park. As we walk, Badgley, carrying his board, shows me the spot where a well-known-to-his-fans photo of Buckley was taken, contemplating his own reflection in a puddle, in 1993. Buckley didn’t live much longer: He was 30 when he drowned during an ill-advised, at least somewhat suicidal dip in Memphis’s Wolf River in 1997. The film, Greetings From Tim Buckley, is named for Jeff’s father, another mythic folksinger who also died young, of a heroin overdose, in 1975. Neither father nor son got to be much older than Badgley is now (26), so as far as bohemian tragedies go, the Buckleys are a doubly sad tale. And, for a CW star keen to be seen more as an artist and heir to the counterculture, doubly irresistible.
Badgley got the role in Gossip Girl in 2006, when he was 19, and has been trying to distance himself from it ever since. He likes to tell reporters about how he turned down the part at first—he was worried that he’d never get out of it. But the producers couldn’t find a better person to inhabit Dan Humphrey, the son of a run-aground nineties rock star who didn’t drown or OD but instead lived on in a loft in Brooklyn, ran an art gallery, and sent his two kids to an Upper East Side private school. Compared to his fellow students—super-styled, sexed-up, and scheming—Badgley’s Dan was the moralistic outsider, or what passes for one on a show produced by the guy who created The O.C. He wore an Army jacket over his school tie in the first season and was known as “lonelyboy.” What bothered Badgley most about the role was not the predictability of the character, or how phantasmagorically plotted the whole thing became as season whirled into season, but that many viewers thought he was, somehow, actually Dan—a conflation the show and its state-of-the-art publicity apparatus encouraged, of course. (As did this magazine; from 2008: “Penn … for the record is pretty much exactly like Dan, all cheekbones and philosophical musings.”) But truth be told, Badgley did his part, too, getting involved, in real life, with Blake Lively, who played Dan’s onscreen “It” girl girlfriend, Serena van der Woodsen. And while Lively moved seamlessly into becoming Serena—she’s as convincing a luxury product as the buttery bag she clutches in those Chanel ads—Badgley couldn’t put a cork in his droll grousing. “Gossip Girl is certainly not my driving, passionate force in life, obviously,” he told reporters. He wanted to be an “artist,” he said, but found himself “on a fucking TV show” instead, and wondered, often enough, What the fuck am I doing?
In a world of anodyne actors programmed for sunny evasion, his self-alienation is appealing, if maybe not entirely relatable, coming from such a pretty face. It’s a tricky business to try to be a sincere celebrity, skeptical of one’s own celebrity, maybe even the idea of celebrity, while also not coming across as bitter or self-defeated. And, okay, it’s all in keeping with the character he played, who wrote a book about his milieu and, in the final episode, turned out to be the show’s snarky blogger-narrator posting about his privileged fellow students (in voice-overs read, in what a more finicky critic might call a “continuity error,” by Kristen Bell).
But whereas Dan was accepted into the Gossip Girl ruling-class “family” in the end, Badgley is glad to be escaping from the Upper East Side. He’s dating a different kind of New York aristocrat, Zoë Kravitz, the singing and acting and jewelry-designing daughter of nineties rocker Lenny Kravitz. (“We’d known each other for years, but not well,” he explains. “I think we’d both assumed the worst of each other, you know what I mean?” Even famous people, apparently, can’t see past each other’s fame.) He took an apprentice-like role in Margin Call, a portentous high-finance-in-crisis drama starring Jeremy Irons, Paul Bettany, and Kevin Spacey at their most robustly Shakespearean (and has a grim-sounding, apocalyptic indie drama called Parts Per Billion coming up next). He played some music with some friends in a Williamsburg band called Reputante and joined a retreat to the mountains of Colombia to meet local shamans. And he was photographed at Zuccotti Park holding up a sign that read BRING BACK THE GLASS-STEAGALL ACT (before hoisting it to the park, he’d Googled the law to make sure the message on the sign was “positive”). With some socially adept friends, he held a series of Occupy teach-ins at the Bowery Hotel, and even wore a WE ARE THE 99% T-shirt, standing next to Mayor Bloomberg while being photographed on the Gossip Girl set. “I found that the hardest thing that I could do was tell some of the people closest in my life that I was, like, you know, associating with Occupy. The people were like, ‘Now, what is that? You have money!’ And it’s like, ‘What the fuck are you talking about? That has nothing to do with it …’ ” He trails off, distracted by Lively’s image on top of a passing cab in an ad for People’s StyleWatch.“Oh, I’m sorry,” he says. “It’s just funny that that rolled along just as I was saying that.”
The next time I see him is weeks later, and he’s wearing the same sweatshirt and sneakers. He and Kravitz had been away in the wilds of Brazil, and he’s invited me over to their sunny, casual brick-walled Williamsburg loft: red sofa and chair, an array of friendship bracelets on the side table, a big bottle of Jack Daniel’s on the bar. No, the big Indian chief headdress is not his, it’s hers, and she wore it at Burning Man. He makes me Yogi tea—“The rhythm of life is when you experience your own body mind and soul” reads the tag—and we talk about the books on the table he intends to read (Haruki Murakami’s 1Q84), has started reading (Rebecca Skloot’s The Immortal Life of Henrietta Lacks), or that are just “decorative” (a pleasing old edition of Molière that Kravitz picked up from the concrete block in the building’s lobby Badgley calls the “offering stone”).
They don’t own this place, only rent it, he explains, as he digs into a bag of raw granola, a surprisingly tasty snack habit left over from when he was eating only raw food while trying to lose weight to prepare for the Buckley role. “I remember in my head thinking, I’m never going to be able to get as thin as him, so I’m just going to stop working out,” says Badgley, munching. “I’m just going to stop getting in the sun. I’m just going to try to get as thin and pale as possible.” He describes raw food as “rocket fuel.” There’s a yoga mat rolled up by a chair.
Seven years after the Gossip Girl adventure began, he’s living the way young boho types are often depicted living in television shows, which is something he can actually afford perhaps only because he was actually on a television show. The apartment is full of boxes of records (Louis Armstrong, Stevie Wonder, Violent Femmes), multiple guitars, one ukulele, and gilt-framed portraits of Jimi Hendrix (they’re Kravitz’s). By the sofa is an art book called Carnival Strippers,next to Richard Heinberg’s The End of Growth and a glass jar full of tiny colorful plastic airplanes. Suspended from one wall is a digital projector to watch movies through the PlayStation (they don’t have a TV).“When I saw it plugged in and working for the first time, I just started laughing to myself, giggling,” he says, not giggling. “This is absurd. I’ve done something, I’ve made it. Look at where I live. I mean, all of my friends live very much the way I do except for the fact that they have no money, you know what I mean? We all hang out, we do the same things, we all live in a similar way, and I happen to have this massive, beautiful apartment.”
I ask him about the show that got him that apartment—the series took a couple of especially shark-jumpy turns in those last few seasons, which Badgley annotated with eyerolls to the press, even as the episodes unfolded.
“I have to bite my tongue there,” he says, then keeps talking. “The end was strange for me, for all of us. Because the characters did all end up together. That has been my problem with television—you start with something real, and it eventually becomes, against all odds, How do these six people still hang out every day? It’s fucking crazy. It’s impossible. I mean, those six people—why do they even keep hanging out? Because they have to, because they’re on a show. So you start to figure out these asinine ways to keep them all together. Eventually, you have this group of kids circumventing the FBI, dealing with ghosts. And that’s not anyone’s fault. That’s not the writers’ fault. It’s just the nature of television. And that’s why after so many years of working in it, I was, Seriously? I cannot do this anymore.” That the disposable ironic escapism of TV does not appeal to Badgley is one reason why he plays sensitive petulance so well. “It’s not to discredit whatever success I have, but right now being famous, being successful, whatever, it exists in this giant gray area.”
Besides, he knows he’s “not that big” (though don’t tell that to the CW demo).
“It’s just like, so many famous people should be embarrassed.” By this, I think he means the ones who really want it; he later mentions the Kardashians. “I don’t want to be on record saying my agent—my team is great—but an agent at this stage now would be encouraging me to just do something to be strategic. Do something to keep the momentum going. And frankly I just don’t think it’s that important. Working is not important—doing something is not important. I have a lot of time. I’m young. People forget that. Because it’ll drive you crazy if you’re too aware of it. I mean, I think the cases of Tom Cruise or every celebrity that goes a little nuts—I think one of the things they go a little nuts about is, they probably have gone in for it a little too hard. Because they’re a little too aware of it.”
Badgley was born in Baltimore, but didn’t live there long. His father, Duff Badgley, started out as a newspaper reporter and later turned to carpentry and building houses. The family lived outside of Richmond, Virginia, for a while, then moved around the country a lot. “I still can’t really figure all that out,” Badgley says. “You know, as an only child, you’re kind of in a bubble, and there are all sorts of things about my childhood that I still can’t really place. But, anyway, long story short, or rather longer story less long, I ended up in Washington State living on Tiger Mountain in the middle of nowhere, with no social outlet—it was spring, and the school year didn’t start until six months later. So my mother suggested that I audition for this play.” It was The Music Man at the Seattle Children’s Theatre, which was an hour away. Badgley was 8 and says he was introverted and chubby. He sang “A Whole New World,” from Disney’s Aladdin,and got the part of Winthrop.
“I actually worked at a radio station for a little bit, and then I would do commercials and weird shit like that, and audition for bigger movies that would come to Seattle. But everybody needed a change. I was very unhappy. It was not the right place for me to be, and for a whole mess of reasons my mom and I went to L.A.”
He gets a bit vague here, but his parents’ marriage was strained around the time Penn and his mother, Lynne, decided to leave Seattle and Penn’s father for Hollywood. (She’s since moved back to Seattle but is not with his father.)
“I’m more radical politically than Penn will ever be,” Duff tells me by phone. I’ve reached him through No Biomass Burn, an environmental organization he works with in Seattle (in 2008, he was the Green Party candidate for governor in Washington). “I’m not a reformist. I’m, you know, I can’t talk about a lot of the details of my politics—radical I think is the safest word.” He’s 68 and had told his son not to ever be surprised by what he might do.
“I live like a monk. I don’t have a car,” he says. “I live really simply and on very little money. Early on, my lifestyle challenged Penn and influenced him,” he says. “I don’t watch TV, I don’t have a TV, I don’t like TV.” Nonetheless, when his son asked if he should take the Gossip Girl gig, he told him, pragmatically: “Hollywood loves people who are working.”
“I watched the first eleven episodes with rabbit ears,” says Duff. “Remember when they forced people to go digital? I refused. I suffered through that. I called Penn up and said, ‘The reception really sucks.’ And he said, ‘Dad, if you’ve seen eleven episodes, you’ve seen them all.’ ”
Greetings From Tim Buckley is its own tangled father-son story. Tim was a prolific sixties folksinger who came to New York from California and never spent time with his son Jeff, leaving him an inhibited, haunted Oedipal mess. Tim overdosed on heroin at 28, when Jeff was 8. Jeff inherited his talent but grew up to be a session musician, afraid to express himself as a singer-songwriter, to stray too close to his confusing legacy. Buckley “wasn’t a rock star by any stretch,” says Badgley. “He was really frustrated, I think.” The film is set in 1991, which is when a group of New Yorkers who’d known Tim decided to hold a tribute concert in his honor and, when they found out about Jeff, asked him to join. “This concert gave this platform to Jeff that Jeff sprung from and created his entire career from,” says Badgley, who has somewhat similar hopes for relaunching his own career off the film. “It’s significant that Jeff’s father, two decades earlier, had been the exact same kind of counter cultural subversive-icon singer-songwriter. Every other musician that was bigger than him said, ‘That’s my guy.’ They were eerily similar icons. And yet they were father and son, and they didn’t fucking know each other.”
Badgley’s father calls the movie, which demonstrates his son’s singing talent, a kind of “coming out.” “There was an interesting meta quality to the film,” says David Brendel, who was a co-writer on the film (and had never seen Gossip Girl). “The night of the tribute concert for Jeff Buckley was a crossroads. He was terrified; if you listen to recordings of that concert, his voice was shaking at times. For Penn, it was a crossroads too. He was facing different fears; he wasn’t known as a musician before this.” The film’s mood floats along on its plaintive Tim Buckley soundtrack. There is none of Jeff’s music, partly because another biopic in the works controls the rights to it.
For his audition, Badgley sang an a cappella mishmash, riffing off Led Zeppelin in falsetto. It’s a scene set in a record store in the film, and Badgley is weird, possessed, and transfixing. “He’s the only one of the 150 we saw who did that scene,” says the film’s director and co-writer, Dan Algrant. He’d never seen Gossip Girl, and found the audition “exquisite.” But once he decided to cast Badgley, he says, “then the shit hit the fan. ‘Oh, you know he’s on Gossip Girl? People are going to think this isn’t serious!’ ”
Continua a leggere l'articolo QUI.
giovedì 14 marzo 2013
#VeronicaMars movie is a go! 'My mind is blown' says Rob Thomas -- EXCLUSIVE insidetv.ew.com/2013/03/13/ver… via @ew #telefilm #serietv #tvseries
— AccademiaTelefilm (@AcademyTelefilm) 14 marzo 2013
venerdì 9 marzo 2012

GOSSIP - Ciapett: Kristen Bell ossessionata dal lato B!
Articolo tratto dall'"Huffington Post"
Kristen Bell recently proclaimed that she's been obsessed with sloths for as long as she can remember. But now comes another revelation. “[Butts are] My favorite things on the planet," Bell tells Women’s Health in the magazine's April 2012 issue. "I want two round cupcakes, always. I kicked my buns and abs sets into high gear when I knew I’d have to be in my bra and underwear on 'House of Lies.' But I don’t show my crack! All the Mr. Skins of the world are like, “ooh, Kristen gets naked!’ I’m like, ‘Dream on!’”. The 31-year-old actress professed her admiration for "House of Lies" co-star Don Cheadle’s derriere, in particular: “If you had those beautiful chocolate bun-cakes, you’d show ’em too, let’s be honest.” Bell presumably also finds her fiancé, Dax Shepard, pretty adorable. Fortunately, the pair spent some quality time together while making the forthcoming flick "Outrun." “I would watch him walk back to the monitor and yell things such as ‘Action!’ or ‘Cut!’ and I’d just go, ‘And you expect me to work when you’re doing cute things around me all day? How am I supposed to focus?'" she told Women's Health. She also sung the praises of Shepard’s culinary skills. "He makes this delicious spaghetti dish… about twice a year," she says. "I wish he cooked more. [Actually] I don’t wish he cooked more. He’s a very good cook, but I’m quite territorial in the kitchen. It’s like, if I went outside and fixed the car, he’d be like, ‘Whaaat?’”
For more on Bell, head over to WomensHealthmag.com, and pick up the April 2012 issue of Women's Health March 13.
lunedì 18 luglio 2011
NEWS - Non c'è due senza tre! E' on line il terzo TG Telefilm...
E' on line il terzo TG Telefilm: in questa puntata, "House of Lies" con Kristen Bell, David Hasselhoff porno in "Sons of Anarchy", l'arrivo di "Super 8" della coppia Spielberg-Abrams, il ritorno di "Dallas", i gossip seriali, il chi sale ("Torchwood") e chi scende ("Falling Skies")...
E' on line il terzo TG Telefilm: in questa puntata, "House of Lies" con Kristen Bell, David Hasselhoff porno in "Sons of Anarchy", l'arrivo di "Super 8" della coppia Spielberg-Abrams, il ritorno di "Dallas", i gossip seriali, il chi sale ("Torchwood") e chi scende ("Falling Skies")...
Etichette:
Dallas,
David Hasselhoff,
Falling Skies,
House of Lies,
J.J. Abrams,
Jessica Biel,
Kristen Bell,
Steven Spielberg,
Tg Telefilm,
Torchwood,
Victoria Justice,
Zac Efron
sabato 16 aprile 2011
GOSSIP - Bell(a) limonata! L'ex interprete di "Veronica Mars" baciata sulla bocca da una giraffa... Ospite al "Tonight Show" di Jay Leno, Kristen Bell, ex "Veronica Mars" ed attualmente nei cinema con "Scream 4", ha svelato il suo strano viaggio in Kenia, a Nairobi, dove in uno zoo di giraffe è stata letteralmente "limonata" da una di loro. Come se non bastasse, è anche comparso il video di questo inusuale "bacio alla francese"...
mercoledì 13 aprile 2011
PICCOLO GRANDE SCHERMO - Drin drin. Qual è il tuo film horror preferito? Quello con più star telefilmiche della storia a finir trucidate. Correte a urlare al cinema, esce "Scream 4"A proposito di Shenae Grimes (vedi Post di ieri), è anche lei tra le protagoniste dell'attesissimo "Scream 4" che esce venerdì nelle sale ed è ricco di star telefilmiche: oltre alle storiche Neve Campbell e Courteney Cox, si aggiungono nel quarto capitolo Hayden Panettiere, Anna Paquin, Kristen Bell, Adam Brody...Tutte le star hanno sfilato sul tappeto rosso del Grauman's Chinese Theatre di Hollywood. Guarda il video qui: http://bit.ly/hYYlQx.
Vedi il trailer di "Scream 4":
giovedì 9 luglio 2009

GOSSIP/PICCOLO GRANDE SCHERMO - Che Bell bikini! L'ex interprete di "Veronica Mars" si candida ad essere la Miss 2 pezzi dell'estate con "Couples Retreat"Non passa giorno che quell'olimpionica di Kristen Bell ("Veronica Mars", "Heroes") appaia sui siti specializzati con tanto di bikini incorporato (foto sopra il titolo). Ma non solo: l'attrice lo sfoggia anche nel suo prossimo film "Couples Retreat" (foto in alto), insieme a Kristin Davis ("Sex and the City") e Malin Ackerman ("The Comeback"), anche se in quel caso sembra più un due pezzi di lingerie che un bikini a tutti gli effetti. Che si stia preparando per la prossima edizione de "L'Isola dei famosi"? O delle Olimpiadi di nuoto? O che stia mettendosi in forma per interpretare "Buffy" al cinema, visto l'esito parziale del Sondaggio di Telefilm Cult che la vede nettamente in testa tra le possibili candidate?
Vedi il trailer di "Couples Retreat"
martedì 15 aprile 2008


GOSSIP - Veronika Lake o Veronica Mars? Nel dubbio, Kristen Bell si fa toccare il "fattore C"Dopo "Veronica Mars", tocca a Veronika Lake? Come una pin-up anni '40, Kristen Bell compare sulle pagine di "Vanity Fair" (USA), dondolante e floreale verso nuovi successi sia televisivi che cinematografici. E' di ieri la notizia (vedi Post precedente) che Kristen sarà a Roma per girare il film "When in Rome" con De Vito. Chissà se nel nuovo film l'ex inteprete di Veronica Mars si farà toccare il "fattore C" da un beota capelluto come nel precedente "Forgetting Sarah Marshall"? Nel dubbio amletico, nessun perda la Caccia al Tesoro che verrà organizzata al VI Telefilm Festival di Milano (7-11 maggio) in onore di "Veronica Mars"!
lunedì 14 aprile 2008
PICCOLO GRANDE SCHERMO - Ultima ora, Kristen Bell ("Veronica Mars") prossimamente a Roma per girare "When in Rome"!(ANSA) - ROMA, 14 APR - La Capitale (utilizzata fra le location) e un furto fantastico faranno da sfondo alla nuova commedia romantica targata Disney, "When in Rome" di Mark Stephen Johnson, di cui inizieranno le riprese questo mese a New York, che avra' per protagonisti Danny DeVito e la bionda Kristen Bell. Nel film, scrive Hollywood Reporter, la Bell e' una newyorchese alla ricerca spasmodica del vero amore, che arrivata nella citta' eterna per il matrimonio della sorella, ruba delle monete magiche ''in una famosa fontana romana''. La giovane donna pero' si ritrova subito inseguita da una banda, di cui fa parte anche il personaggio di De Vito, ansiosa di impossessarsi dello stesso bottino. Nel cast ci sono anche Will Arnett, Josh Duhamel, Jon Heder, Anjelica Huston e Dax Shepard. De Vito quest'anno tornera' anche sul set per la nuova stagione della serie comica "It's Always Sunny in Philadelphia".
venerdì 18 gennaio 2008
+3.bmp)


GOSSIP - Kristen Bell si spoglia senza "Complex"! E il fidanzato Dax Shepherd esce allo scoperto dopo i lesbo-rumors su di lei e Hayden Panettiere...Gli slanci di Kristen Bell lasciano il segno (e le copertine). L'ex interprete di "Veronica Mars" è la sexy-protagonista del numero di Gennaio di "Complex", dove la nostra non disdegna pose che aveva osato solo per "Maxim". Svestiti i panni della detective teenager, sembra che l'attrice ora voglia costruirsi un'immagine più "adulta", tant'è che in "Heroes" appare quasi la zia di Hayden Panettiere. Come se non bastasse, i siti lesbo all'insegna della pruderie spinta hanno addirittura vagheggiato più di un'amicizia tra Kristen e l'interprete della cheerlead-eroina ("Clamoroso al Cibalesbo!"). Nel frattempo, per tutta risposta ai gossip malevoli, la Bell attrice si è fatta (volutamente?) pizzicare dai paparazzi con il neo-fidanzato Dax Shephard, ex di Kate Hudson disposto a tutto pur di apparire, a South Beach. La sabbia sotto i piedi di Kristen scottava sempre di più (ci credo, usa le infradito!) e lui si è offerto come "tappetino".
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Il GIOCO DEI TELEFILM di Leopoldo Damerini e Fabrizio Margaria, nei migliori negozi di giocattoli: un viaggio lungo 750 domande divise per epoche e difficoltà. Sfida i tuoi amici/parenti/partner/amanti e diventa Telefilm Master. Disegni originali by Silver. Regolamento di Luca Borsa. E' un gioco Ghenos Games. http://www.facebook.com/GiocoDeiTelefilm. https://twitter.com/GiocoTelefilm
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