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10 motivi (meno uno) per non perdere "The Americans"
"The Americans is three episodes into its second season on FX,
and so far, the series has only improved upon an already stellar first
season. It’s dark, it’s stylistic, it’s emotionally complicated, and it
is riveting drama. Unfortunately, despite being an incredibly sexy show
at times,
The Americans often doesn’t get the kind of buzz that
The Walking Dead or
Game of Thrones or
True Detective
gets, even if it is often as good as those other dramas. I’m not
entirely sure why. Maybe because it’s not a Sunday night show. Or maybe
because there isn’t a fantasy element involved, or zombies, or sneering
douchebag villains.
I wish that
The Americans were more talked about on the
Internet. I wish it was appointment viewing. I wish that it got the
appreciation that it deserves. I wish that I could convince people that
haven’t given it a chance yet to tune in, catch up (the first season is on Amazon),
and make memes and mash-ups and GIFs and develop theories so that the
Internet will jump on board, so that it can become one of the most
discussed shows every Wednesday night and Thursday morning, and so that
we can all share it together. Here’s the best 9 reasons why.
1.
Because It Involves Anti-Villains — If you’re tired of the glut of anti-hero dramas on television,
The Americans
offers a nice twist: The Anti-Villain. Elizabeth and Phillip Jennings
are Commie spies, and as capitalist Americans, we shouldn’t be rooting
for them. But we do. Why? Because
The Americans isn’t about the interest or the motivations of the character, it’s about the
characters themselves, who we become intensely invested in.
2.
Because It’s the Show Homeland Wanted to Be —
Homeland
was at its best in the first season, when we found ourselves rooting
for Nicholas Brody, even though we knew he was probably a terrorist.
The Americans
is the Cold War equivalent of that, only the daughter in this equation
is much less annoying than Dana Brody, and the writers don’t have any
intention of flipping the script by turning The Jennings into FBI
informants. In fact, one of the most compelling conflicts in
The Americans
is the tension between the Jennings’ duty to Mother Russia and their
obligation to their American children, who essentially embody American
suburban values.
3.
Because It’s a Great History Lesson — I happen to know a
writer on this show, and I happen to know that she spent a lot of time
studying the period, which not only helps the writing staff get the
details right, but they manage to work in bits and pieces of actual Cold
War history into the show. It’s a fascinating examination of a period
most of us were too young to experience, and that the television and
film world barely explores outside of stereotypical Communist villains.
The Americans humanizes the bad guys.
4.
Because of the Wigs — There are so many fantastic wigs in this show. Does it actually disguise the Jennings? Not particularly, but they are ridiculously fun.
5.
Because of the Soundtrack — So much of television and film that goes back to the 80s often focuses on the cheesy music of the era, but
The Americans
tends to include the darker, heavier songs of the early 80s in its
soundtrack. In other words, the good stuff. There’s quite a bit of early
Peter Gabriel, there’s The Cure, the Squeeze, Pete Townshend, and
Roberta Flack. It’s fantastic, period-perfect, moody and often haunting
music that’s not a bunch of Cyndi Lauper or a series of one-hit wonders
(not that there’s anything wrong with that).
6.
Because of the Writing — As great as the first season was,
the writing is even better in the second season. It’s a show that takes
its time. It doesn’t aim for huge, shocking episodes. It doesn’t throw
in a lot of huge twists. It creates tension, then it slowly turns the
screws, and it doesn’t release that tension every other episode with a
killing spree designed to provide relief. Deaths are matter of fact, a
sometimes necessary evil, but all they do is ratchet the tension,
increasing the likelihood that the Jennings will be caught.
7.
Because Sexy —
The Americans is a very stylistic, and sometimes, dead sexy drama. Think Jennifer Garner in
Alias, only with a more frequent (and more graphic) sex scenes (ironically, when
J.J. Abrams cast
Alias,
his prototype was a kick-ass Felicity). Other times, that sexiness is
awkward. For instance, when the daughter walks in on her parents in
full-on 69 mode, a first for television (which happened in the same
episode that Keri Russell’s character was also involved in a threesome).
8.
Because Keri Russell is Seriously Bad Ass — If you only know Keri Russell from
Felicity
and other similar roles, you may be surprised by how adept she is in
the action scenes. What’s perhaps even more remarkable is how sly she is
about it: She doesn’t walk into a room and punch out three guards.
She’ll sneak up on someone one in some nice lingerie and then, at their
most vulnerable, she will SLASH THEIR F***KING THROAT. And maybe
sometimes, she’ll just KICK SOMEONE’S HEAD THROUGH A WALL. She’s
ruthless and cold.
9. Because of the moral ambiguity — There are no good guys or bad guys in The Americans.
There are simply people doing their jobs, serving the interests of
their own countries. The interests aren’t always good — on either the
American or the Russian side — but the intentions of the characters are
pure. We’re exploring the lives of bit players in a huge, decades long
war. There are no individuals attempting to build empires or gain the
throne. In fact, for the Jennings, it’s just the opposite: They want to
serve their country with as little disruption to their suburban lives as
possible. Their aspirations are nationalistic, not individual.
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