Visualizzazione post con etichetta William H. Macy. Mostra tutti i post
Visualizzazione post con etichetta William H. Macy. Mostra tutti i post

lunedì 19 settembre 2016

 NEWS - Emmys, la duplice vittoria di "Veep" alla vigilia delle presidenziali è un segnale...mica da ridere! Premi riparatori a Malek e Maslany ("Mr.Robot", "Orphan Black"). William H. Macy può essere nominato anche 100 volte che tanto non vincerà mai...


MIGLIOR COMEDY
Black-ish
Master of None
Modern Family
Silicon Valley
Transparent
Unbreakable Kimmy Schmidt
Veep

MIGLIOR DRAMA
Game of Thrones
The Americans
Better Call Saul
Downton Abbey
Homeland
House of Cards
Mr. Robot



MIGLIOR ATTORE PROTAGONISTA DRAMA
Kyle Chandler, Bloodline
Rami Malek, Mr. Robot
Bob Odenkirk, Better Call Saul
Matthew Rhys, The Americans
Liev Schreiber, Ray Donovan
Kevin Spacey, House of Cards
Malek
MIGLIOR ATTRICE PROTAGONISTA DRAMA
Claire Danes, Homeland
Viola Davis, How to Get Away with Murder
Taraji P. Henson, Empire
Tatiana Maslany, Orphan Black
Keri Russell, The Americans
Robin Wright, House of Cards
THE 68TH EMMY(r) AWARDS - “The 68th Emmy Awards” broadcasts live from The Microsoft Theater in Los Angeles, Sunday, September 18 (7:00-11:00 p.m. EDT/4:00-8:00 p.m. PDT), on ABC and is hosted by Jimmy Kimmel. (ABC/Image Group LA) TATIANA MASLANY

ATTORE NON PROTAGONISTA DRAMA
Jonathan Banks, Better Call Saul
Peter Dinklage, Game of Thrones
Michael Kelly, House of Cards
Kit Harington, Game of Thrones
Ben Mendelsohn, Bloodline
Jon Voight, Ray Donovan

ATTRICE NON PROTAGONISTA DRAMA
Emilia Clarke, Game of Thrones
Lena Headey, Game of Thrones
Maggie Smith, Downton Abbey
Maura Tierney, The Affair
Maisie Williams, Game of Thrones
Constance Zimmer, UnREAL

ATTORE PROTAGONISTA COMEDY
Anthony Anderson, Black-ish
Aziz Ansari, Master of None
Thomas Middleditch, Silicon Valley
Will Forte, The Last Man on Earth
William H. Macy, Shameless
Jeffrey Tambor, Transparent


ATTRICE PROTAGONISTA COMEDY
Ellie Kemper, Unbreakable Kimmy Schmidt
Julia Louis-Dreyfus, Veep
Lauri Metcalf, Getting On
Tracee Ellis Ross, Black-ish
Amy Schumer, Inside Amy Schumer
Lily Tomlin, Grace and Frankie
dreyfuss
ATTORE NON PROTAGONISTA COMEDY
Louie Anderson, Baskets
Andre Braugher, Brooklyn Nine-Nine
Tituss Burgess, Unbreakable Kimmy Schmidt
Ty Burrell, Modern Family
Tony Hale, Veep
Keegan-Michael Key, Key&Peele
Matt Walsh, Veep

venerdì 27 marzo 2015

PICCOLO GRANDE SCHERMO - La "strana coppia"! Lea Michele di "Glee" nel film di William Macy di "Shameless"

News tratta da "Deadline"
Lea Michele and Kate Upton will star in The Layover, the William H. Macy-directed road trip sex comedy scripted by David Hornsby and Lance Krall. Production is imminent with Keith Kjarval of Unified Pictures and Aaron L. Gilbert of Bron Studios producing. Michele and Upton play a pair of lifelong best friends who decide to avoid their problems by taking a vacation only to find that their plane has been rerouted due to a hurricane warning. To make matters worse, the two friends find themselves battling for the same guy during an extended layover in St. Louis. Macy will play a role in the film as well. Hornsby and Krall collaborated on the TV series It’s Always Sunny In Philadelphia, on which Hornsby is writer, executive producer, and co-star.
“The minute I met Lea and Kate, the film began to focus for me,” said Macy, moonlighting from his series Shameless. “They are singular, ambitious funny women in full. This is going to be fun.” Executive producers are Patricia Cox, who worked with Macy on his most recent helming effort Rudderless, and Jason Cloth of Creative Wealth Media Finance. Michele starred in Glee and has reteamed with Ryan Murphy on Scream Queens. Supermodel Upton co-starred with Cameron Diaz and Leslie Mann in Fox’s The Other Woman.

lunedì 26 gennaio 2015

giovedì 11 dicembre 2014

NEWS - Golden Globes, le scelte di Telefilm Cult (in rosso)!

Miglior serie Drama
The Affair
Downton Abbey
Game of Thrones
The Good Wife
House of Cards

Miglior attore in una serie Drama
Clive Owen, “The Knick”
Liev Schreiber, “Ray Donovan”
Kevin Spacey, “House of Cards”
James Spader, “The Black List”
Dominic West, “The Affair”

Miglior attrice in una serie Drama
Claire Danes, “Homeland”
Julianna Margulies, “The Good Wife”
Ruth Wilson, “The Affair”
Robin Wright, “House of Cards”
Viola Davis, “How to get away with murder”

Miglior serie Comedy
Transparent
Jane the Virgin
Girls
Orange is the new black
Silicon Valley

Miglior attore in una serie Comedy
Louis CK, “Louie”
Ricky Gervais, “Derek”
Don Cheadle, “House of Lies”
William H Macy, “Shameless”
Jeffrey Tambor, “Transparent”

Miglior attrice in una serie Comedy
Gina Rodriguez, “Jane the Virgin”
Lena Dunham, “Girls”
Edie Falco, “Nurse Jackie”
Julia Louis-Dreyfus, “Veep”
Taylor Shilling, “Orange is the new black”

Miglior Miniserie o Film tv
Fargo
The Missing
The Normal Heart
Olive Kitteridge
True Detective

Miglior attore in una Miniserie o Film tv
Martin Freeman, “Fargo”
Billy Bob Thornton, “Fargo
Matthew McConaughey, “True Detective”
Woody Harrelson, “True Detective”
Mark Ruffalo, “The Normal Heart”

Miglior attrice in una Miniserie o Film tv
Maggie Gyllenhaal, “The Honorable Woman”
Jessica Lange, “American Horror Story: Freak Show”
Frances McDormand, “Olive Kitteridge”
Frances O’Connor, “The Missing”
Allison Tolman, “Fargo”

Miglior attore non protagonista in una Serie Tv, Miniserie o Film tv
Alan Cumming, “The Good Wife”
Matt Bomer, “The Normal Heart”
Colin Hanks, “Fargo”
Bill Murray, “Olive Kitteridge”
Jon Voight, “Ray Donovan”

Miglior attrice non protagonista in una Serie Tv, Miniserie o Film tv
Uzo Aduba, “Orange is the new black”
Kathy Bates, “American Horror Story: Freak Show”
Joanne Froggatt, “Downton Abbey”
Allison Janey, “Mom”
Michelle Monaghan, “True Detective”

mercoledì 26 marzo 2014

NEWS - Emmy per Emmy! Per premiare Rossum e compagnia "Shameless" con una statuetta (meritatissima!), gli Emmy Awards s'inventano di spostare la serie dalla categoria "drama" a quella "comedy" (ma se fa più piangere che ridere!)
Post di Alan Sepiwall per "Hitfix"

For the last four years, "Shameless" star Emmy Rossum has been giving one of the best performances in all of television, and yet despite the quality of that work — and the name that would be a headline writer's best friend — neither she nor the show she's on has gotten more than a whiff of Emmy recognition. Joan Cusack has been nominated three years in a row for guest actress in a drama, and that's it. Nothing for Rossum. Nothing for William H. Macy, who in his non-Frank Gallagher life has won two Emmys and been nominated for seven more. None for Jeremy Allen White or Emma Kenney or any of the other superb young actors the show has discovered, none for the other guest stars or the writing or directing.

The fact that Cusack keeps appearing in the guest category shows you how easy it can be to game the TV Academy's system — and now "Shameless" producer John Wells is trying to make like a Gallagher himself and try to game the system on a bigger scale. Having submitted the show in the Emmy drama categories the previous three years, Wells and Showtime today announced that "Shameless" will compete as a comedy at the 2014 Emmys.

Now, on the one hand I cannot blame Wells for trying this. I don't know that the genre has been the issue for "Shameless." Emmy voters have often seemed allergic to shows about extremely poor people, especially when they're not the type who suffer poverty with quiet dignity, but with the kind of brazen, hustling vulgarity with which the Gallaghers go through life. But odds are that Rossum was never going to break through in the drama actress category, not after a year when there were actually seven nominees and still no room at the inn for her, or for Tatiana Maslany, or several others. At a minimum, the comedy actress category will have a few openings, since Laura Dern and Tina Fey aren't eligible again, and Macy should have a much easier time than trying to crack a drama field that includes Cranston, Hamm, Spacey, and possibly McConaughey.

On the other hand, this move is, well, shameless. Absurd might be an even better word for it.

Yes, "Shameless" is a show that blends comedy and drama, and this year has had room for the usual black humor, like Carl Gallagher aggressively seeking detention to spend more time with a troublemaking girl he has a crush on, or Kev discovering what a money pit the bar he inherited really is. I even had arguments with Showtime executives in the first season that "Shameless" belonged more in the comedy categories, and not just because it was an easier path to nominations.

Not this year, though. This has been the darkest, most serious season to date, and especially for Rossum's Fiona. Never the show's funniest character to begin with, Fiona's been in a deep, bad spiral all season that included cheating on her boyfriend, getting high and letting her toddler brother Liam ingest cocaine (nearly dying and possibly suffering brain damage as a result), becoming a convicted felon on probation, and in the most recent episode, hitting rock bottom when being abandoned by fellow junkies at a gas station in Sheboygan.

It's been an impressive arc, and Rossum has again been amazing. I would gladly see her nominated for any and all awards for what she's doing this year, and what she's done throughout the show. And it is insane that she would be competing against performances by Amy Poehler and Melissa McCarthy. It's weird enough when Edie Falco is up for these things (and won one for the first year of "Nurse Jackie"), but that's at least a more overtly comic show and performance, and there's always the half-hour defense.

The rules are the rules, and if Wells can work within them and convince the Academy to allow "Shameless" to hop categories, then I suppose more power to him. It's a great show that deserves more recognition than it's gotten. But I don't know if it'll get substantially more this way, and it'll feel very strange if it does, all things considered.

That said, new episode Sunday at 9! I expect Fiona to suffer some more!


The fact that Cusack keeps appearing in the guest category shows you how easy it can be to game the TV Academy's system — and now "Shameless" producer John Wells is trying to make like a Gallagher himself and try to game the system on a bigger scale. Having submitted the show in the Emmy drama categories the previous three years, Wells and Showtime today announced that "Shameless" will compete as a comedy at the 2014 Emmys.

Now, on the one hand I cannot blame Wells for trying this. I don't know that the genre has been the issue for "Shameless." Emmy voters have often seemed allergic to shows about extremely poor people, especially when they're not the type who suffer poverty with quiet dignity, but with the kind of brazen, hustling vulgarity with which the Gallaghers go through life. But odds are that Rossum was never going to break through in the drama actress category, not after a year when there were actually seven nominees and still no room at the inn for her, or for Tatiana Maslany, or several others. At a minimum, the comedy actress category will have a few openings, since Laura Dern and Tina Fey aren't eligible again, and Macy should have a much easier time than trying to crack a drama field that includes Cranston, Hamm, Spacey, and possibly McConaughey.

On the other hand, this move is, well, shameless. Absurd might be an even better word for it.

Yes, "Shameless" is a show that blends comedy and drama, and this year has had room for the usual black humor, like Carl Gallagher aggressively seeking detention to spend more time with a troublemaking girl he has a crush on, or Kev discovering what a money pit the bar he inherited really is. I even had arguments with Showtime executives in the first season that "Shameless" belonged more in the comedy categories, and not just because it was an easier path to nominations.

Not this year, though. This has been the darkest, most serious season to date, and especially for Rossum's Fiona. Never the show's funniest character to begin with, Fiona's been in a deep, bad spiral all season that included cheating on her boyfriend, getting high and letting her toddler brother Liam ingest cocaine (nearly dying and possibly suffering brain damage as a result), becoming a convicted felon on probation, and in the most recent episode, hitting rock bottom when being abandoned by fellow junkies at a gas station in Sheboygan.

It's been an impressive arc, and Rossum has again been amazing. I would gladly see her nominated for any and all awards for what she's doing this year, and what she's done throughout the show. And it is insane that she would be competing against performances by Amy Poehler and Melissa McCarthy. It's weird enough when Edie Falco is up for these things (and won one for the first year of "Nurse Jackie"), but that's at least a more overtly comic show and performance, and there's always the half-hour defense.

The rules are the rules, and if Wells can work within them and convince the Academy to allow "Shameless" to hop categories, then I suppose more power to him. It's a great show that deserves more recognition than it's gotten. But I don't know if it'll get substantially more this way, and it'll feel very strange if it does, all things considered.

That said, new episode Sunday at 9! I expect Fiona to suffer some more!

What does everybody else think? Is the move to comedy fair or foul?
Read more at http://www.hitfix.com/whats-alan-watching/shameless-to-hop-emmy-categories-from-drama-to-comedy#Ru6WvlY2ZhQq5Yym.99
For the last four years, "Shameless" star Emmy Rossum has been giving one of the best performances in all of television, and yet despite the quality of that work — and the name that would be a headline writer's best friend — neither she nor the show she's on has gotten more than a whiff of Emmy recognition. Joan Cusack has been nominated three years in a row for guest actress in a drama, and that's it. Nothing for Rossum. Nothing for William H. Macy, who in his non-Frank Gallagher life has won two Emmys and been nominated for seven more. None for Jeremy Allen White or Emma Kenney or any of the other superb young actors the show has discovered, none for the other guest stars or the writing or directing.

The fact that Cusack keeps appearing in the guest category shows you how easy it can be to game the TV Academy's system — and now "Shameless" producer John Wells is trying to make like a Gallagher himself and try to game the system on a bigger scale. Having submitted the show in the Emmy drama categories the previous three years, Wells and Showtime today announced that "Shameless" will compete as a comedy at the 2014 Emmys.

Now, on the one hand I cannot blame Wells for trying this. I don't know that the genre has been the issue for "Shameless." Emmy voters have often seemed allergic to shows about extremely poor people, especially when they're not the type who suffer poverty with quiet dignity, but with the kind of brazen, hustling vulgarity with which the Gallaghers go through life. But odds are that Rossum was never going to break through in the drama actress category, not after a year when there were actually seven nominees and still no room at the inn for her, or for Tatiana Maslany, or several others. At a minimum, the comedy actress category will have a few openings, since Laura Dern and Tina Fey aren't eligible again, and Macy should have a much easier time than trying to crack a drama field that includes Cranston, Hamm, Spacey, and possibly McConaughey.

On the other hand, this move is, well, shameless. Absurd might be an even better word for it.

Yes, "Shameless" is a show that blends comedy and drama, and this year has had room for the usual black humor, like Carl Gallagher aggressively seeking detention to spend more time with a troublemaking girl he has a crush on, or Kev discovering what a money pit the bar he inherited really is. I even had arguments with Showtime executives in the first season that "Shameless" belonged more in the comedy categories, and not just because it was an easier path to nominations.

Not this year, though. This has been the darkest, most serious season to date, and especially for Rossum's Fiona. Never the show's funniest character to begin with, Fiona's been in a deep, bad spiral all season that included cheating on her boyfriend, getting high and letting her toddler brother Liam ingest cocaine (nearly dying and possibly suffering brain damage as a result), becoming a convicted felon on probation, and in the most recent episode, hitting rock bottom when being abandoned by fellow junkies at a gas station in Sheboygan.

It's been an impressive arc, and Rossum has again been amazing. I would gladly see her nominated for any and all awards for what she's doing this year, and what she's done throughout the show. And it is insane that she would be competing against performances by Amy Poehler and Melissa McCarthy. It's weird enough when Edie Falco is up for these things (and won one for the first year of "Nurse Jackie"), but that's at least a more overtly comic show and performance, and there's always the half-hour defense.

The rules are the rules, and if Wells can work within them and convince the Academy to allow "Shameless" to hop categories, then I suppose more power to him. It's a great show that deserves more recognition than it's gotten. But I don't know if it'll get substantially more this way, and it'll feel very strange if it does, all things considered.

That said, new episode Sunday at 9! I expect Fiona to suffer some more!

What does everybody else think? Is the move to comedy fair or foul?
Read more at http://www.hitfix.com/whats-alan-watching/shameless-to-hop-emmy-categories-from-drama-to-comedy#Ru6WvlY2ZhQq5Yym.99
For the last four years, "Shameless" star Emmy Rossum has been giving one of the best performances in all of television, and yet despite the quality of that work — and the name that would be a headline writer's best friend — neither she nor the show she's on has gotten more than a whiff of Emmy recognition. Joan Cusack has been nominated three years in a row for guest actress in a drama, and that's it. Nothing for Rossum. Nothing for William H. Macy, who in his non-Frank Gallagher life has won two Emmys and been nominated for seven more. None for Jeremy Allen White or Emma Kenney or any of the other superb young actors the show has discovered, none for the other guest stars or the writing or directing.

The fact that Cusack keeps appearing in the guest category shows you how easy it can be to game the TV Academy's system — and now "Shameless" producer John Wells is trying to make like a Gallagher himself and try to game the system on a bigger scale. Having submitted the show in the Emmy drama categories the previous three years, Wells and Showtime today announced that "Shameless" will compete as a comedy at the 2014 Emmys.

Now, on the one hand I cannot blame Wells for trying this. I don't know that the genre has been the issue for "Shameless." Emmy voters have often seemed allergic to shows about extremely poor people, especially when they're not the type who suffer poverty with quiet dignity, but with the kind of brazen, hustling vulgarity with which the Gallaghers go through life. But odds are that Rossum was never going to break through in the drama actress category, not after a year when there were actually seven nominees and still no room at the inn for her, or for Tatiana Maslany, or several others. At a minimum, the comedy actress category will have a few openings, since Laura Dern and Tina Fey aren't eligible again, and Macy should have a much easier time than trying to crack a drama field that includes Cranston, Hamm, Spacey, and possibly McConaughey.

On the other hand, this move is, well, shameless. Absurd might be an even better word for it.

Yes, "Shameless" is a show that blends comedy and drama, and this year has had room for the usual black humor, like Carl Gallagher aggressively seeking detention to spend more time with a troublemaking girl he has a crush on, or Kev discovering what a money pit the bar he inherited really is. I even had arguments with Showtime executives in the first season that "Shameless" belonged more in the comedy categories, and not just because it was an easier path to nominations. Not this year, though. This has been the darkest, most serious season to date, and especially for Rossum's Fiona. Never the show's funniest character to begin with, Fiona's been in a deep, bad spiral all season that included cheating on her boyfriend, getting high and letting her toddler brother Liam ingest cocaine (nearly dying and possibly suffering brain damage as a result), becoming a convicted felon on probation, and in the most recent episode, hitting rock bottom when being abandoned by fellow junkies at a gas station in Sheboygan.

It's been an impressive arc, and Rossum has again been amazing. I would gladly see her nominated for any and all awards for what she's doing this year, and what she's done throughout the show. And it is insane that she would be competing against performances by Amy Poehler and Melissa McCarthy. It's weird enough when Edie Falco is up for these things (and won one for the first year of "Nurse Jackie"), but that's at least a more overtly comic show and performance, and there's always the half-hour defense.

The rules are the rules, and if Wells can work within them and convince the Academy to allow "Shameless" to hop categories, then I suppose more power to him. It's a great show that deserves more recognition than it's gotten. But I don't know if it'll get substantially more this way, and it'll feel very strange if it does, all things considered.

That said, new episode Sunday at 9! I expect Fiona to suffer some more!

What does everybody else think? Is the move to comedy fair or foul?
Read more at http://www.hitfix.com/whats-alan-watching/shameless-to-hop-emmy-categories-from-drama-to-comedy#Ru6WvlY2ZhQq5Yym.99

giovedì 12 dicembre 2013

LA VITA E' UNA COSA SERIAL - Forconi come i Gallagher! La nuova locandina di "Shameless" inneggia alla rivolta... 
Il movimento e la protesta dei “Forconi” non sono una realtà solo italiana.
Sfocerà presto in America nella nuova stagione della serie tv “Shameless”, in onda dal 10 gennaio Oltreoceano e dal 7 aprile su Joi di Mediaset Premium.
Già la locandina della quarta stagione parla chiaro.
La famiglia protagonista, i Gallagher, è a capo di una protesta dove campeggiano sullo sfondo due bandiere americane. La protagonista Fiona (Emmy Rossum) sfoga la sua rabbia in un urlo che appare liberatorio. Lo slogan che sovrasta l’immagine è oltremodo emblematico: “This ain’t  Tea Party” (“Questo non è un Tea Party”).
Il riferimento è al movimento nato negli Usa nel 2009 che ha raccolto le proteste contro la legge di stabilità del 2008 di Bush e la legge di recupero e reinvestimento del 2009, oltre che contro la riforma sanitaria di Obama. Lo stesso acronimo del movimento –TEA – significa Taxed Enough Already (Già Abbastanza Tassati).
Nella locandina di “Shameless” si notano altresì due molotov pronte al lancio. Che la protesta diventi una rivolta? La nuova stagione di una delle serie tv che meglio ha raccontato la crisi economica all’interno di un nucleo familiare già di per sé borderline, saprà dare la risposta. Almeno quanto la realtà.

lunedì 24 giugno 2013

NEWS - Emmy per Emmy, è la volta buona!
Questa volta potrebbe essere la volta buona. Secondo voci ben informate, Emmy potrebbe associare il suo nome al premio omonimo. Nomen omen: Rossum, interprete di Fiona in “Shameless” (su La5 la prima stagione in 1° tv free ogni lunedì in seconda serata), sarebbe tra le favorite per aggiudicarsi il prossimo Emmy Award quale miglior attrice. A quanto si vocifera, sarebbe anche un modo per porre rimedio alla mancanza di riconoscimenti che contano nei confronti di una serie che, seppure tratta da un’originale inglese – e si sa quanto l’Accademia preposta a stilare le nominations storca il naso verso prodotti non Usa DOC - ha saputo lungo le stagioni sviluppare un profilo qualitativo eccelso. Emmy Rossum – oltre alle già note capacità di William H. Macy – in testa. Nel frattempo l’attrice che sembra legare la sua carriera all’omonimia – è stata citata tra le candidate ad intepretare la protagonista femminile di “50 Shades of Grey”: il suo secondo nome dopo Emanuelle è Grey! – è sul set del film dramedy “Comet”, mentre sono di prossima uscita nelle sale “You’re not You” – sul tema dell’eutanasia – al fianco del Premio Oscar Hilary Swank e Julian MacMahon (“Nip/Tuck”), nonché il thriller “Way Down South”. Tra un ciak e l’altro, Emmy ha già vinto il suo premio di stile: vedi qui. (Notizia tratta dalla Newsletter settimanale di QuiMediaset)

lunedì 8 aprile 2013

PICCOLO GRANDE SCHERMO - Quando il cinema va in tackle sulla tv
Strana coincidenza. Scorsa settimana, nello stesso giorno, sono uscite indiscrezioni Usa via tweet che ben due film diventeranno serial televisivi. Martin Scorsese, mica cotiche, tradurrà sul piccolo schermo il suo “Gangs of New York” (2002); i fratelli Coen – mica ciufoli – riprenderanno in mano la sceneggiatura di “Fargo” (1996), probabilmente riportando sul set William H. Macy (attualmente in “Shameless”, la cui 3° stagione inedita è in onda ogni lunedì su Joi). Altro link cine-televisivo dello stesso sangue è quello dei fratelli Wachowski, firmatari della saga di “Matrix”, che hanno firmato e porteranno presto alla luce il progetto fantascientifico “Sense8”. Ha fatto sfracelli d’ascolto, al debutto americano, “Bates Motel”, prequel di “Psycho” con buona pace di Hitchcock; è partito da pochi giorni Oltreoceano “Hannibal”, sorta di chiosa de “Il Silenzio degli innocenti”, e le aspettative sono massime. Il matrimonio spesso sotto-traccia tra cinema e tv non è mai stato così evidente. La prima impressione è che la linfa vitale del piccolo schermo sia un po’ agli sgoccioli, che sia più un’”intrusione” che un volano, che la Settima Arte non sia più quella cacciatrice di talenti tv di un tempo ma che imponga i suoi modelli e le sue icone in una terra non più capace di esportare i suoi frutti oltre i confini tv. Spesso guardandosi indietro – eccezion fatta per i fratelli Wachowski – più che avanti. Paura del futuro anche prossimo venturo? La partita è aperta. Nel calcio, ormai, il cosiddetto tackle scivolato, è praticamente proibito o rischioso. In tv a quanto pare ancora no. (LD)

giovedì 19 luglio 2012

L'EDICOLA DI LOU - Stralci e commenti sui telefilm dai media italiani e stranieri


LA STAMPA
"Shameless", la famiglia disfunzionale vincente
"I senza vergogna sono in sei, un padre sempre ubriacone e cinque figli, e va a finire che ti ci specchi, anche se non vuoi: fin troppo, in certi periodi di crisi. I senzavergogna, ossia i protagonisti di Shameless , tornano in tivù con la seconda serie venerdì su Mya. Segnatevi la data se vi piace la tivù intelligente e se non avete paura dei pugni allo stomaco: già nel pilot, oltre a un nudo maschile, abbondavano il sesso orale e un diffuso turpiloquio, e da allora non si è andati che in crescendo. Eppure la saga chicagoana dei Gallagher, guidati dal patriarca Frank abbarbicato al sussidio di disoccupazione e in continuo stato stuporoso, è l’ennesima declinazione della telefamiglia americana: una storia che dura dai tempi preistorici di Lucy ed io , passando per i Jefferson Happy Days, avventurandosi per le derive oscure dei Soprano e approdando alla società multietnica di Modern Family , beninteso col contrappunto ironico dei Simpson .

Frank (un William H. Macy in stato di grazia), abbandonato dalla moglie con una figliolanza abbondante e problematica e perfino con un lattante inspiegabilmente afroamericano, è egoista e disinteressato ai propri doveri: i ragazzi si tassano per la bolletta dell’elettricità ma ogni mese lui spende 700 dollari che non ha guadagnato all’Alibi, il suo pub di riferimento. Eppure i Gallagher ce la fanno sempre: qualche volta perfino trovando l’amore della vita, più spesso la propria identità. Nei meno politicamente corretti dei modi: Lip (Jeremy White) è molto più intelligente dei coetanei e per sopravvivere passa gli esami al posto degli asini, Ian (Cameron Monagham) è gay e ha una storia segreta col gestore musulmano del negozio di alimentari per cui lavora, peraltro sposatissimo e con moglie velata, il piccolo Carl (Ethan Cutkosky) tortura gli animali domestici. E poi ci sono i due angeli del focolare: la quartogenita e soave Debbie (Emma Kenney) e soprattutto la maggiore, Fiona (Emmy Rossum), punto di riferimento per tutti, coraggiosamente multitasking, capace di prestare cure e di elargire affetto senza mai aver avuto né le une né l’altro. Racconta Macy di aver impiegato «nove secondi» a decidere di accettare la parte, «perché un ruolo così sopra le righe è la benedizione di un attore. Dopo un po’ ho anche deciso di guardare la serie inglese originale. Splendido lavoro, mi sono detto. Non si può far di meglio, ma si può fare qualcosa di diverso».

Ma chi davvero ha incontrato la fortuna con Shameless è stata Emmy Rossum, finora conosciuta soprattutto per un malriuscito lancio hollywoodiano, nel 2004, come protagonista del Fantasma dell’opera , oggi considerata una delle migliori attrici della nuova generazione televisiva e fregiata da una nomination al Critics’ Choice Television Awards. Emmy è passata dai corsetti al jeans da outlet, e «lo so, a Fiona non assomigliavo per niente - racconta - ma volevo quel ruolo a tutti i costi. Ho girato un video in cui camminavo imbufalita sotto la pioggia perché non avevo trovato un taxi e l’ho mandato alla Showtime. È andata. Oggi trovo così liberatorio lavorare senza trucco e costumi di lusso e concentrarmi sulla recitazione». L’inizio della seconda stagione trova Fiona impegnata a dimenticare Steve (Justin Chatwin), un ragazzo ricco e innamorato di lei, ma è sicuro che ci saranno delle sorprese; mentre Ian progetta di andare a West Point e i ragazzi più piccoli han messo su un servizio domestico di babysitting per fare qualche soldo. Frank? Non si smentisce: ha un debito di 10 mila dollari. Tremiamo al pensiero di come farà a onorarlo".
(Egle Santolini, 18.07.2012)

mercoledì 22 giugno 2011

TELEFILM FESTIVAL 2011 - Tamarrissimi storicissimi! Votate al Sondaggione di Tv Blog per eleggere il più grande Tamarro dei telefilm e dello spettacolo...E martedì tutti al TF in una giornata a tema (portatevi i jeans stracciati alla Lorenzo Lamas...)
Sopra le righe, sempre, fino all’eccesso. La parola Tamarro ha da sempre una connotazione negativa. Eppure il tamarro attira, rapisce, incolla milioni di telespettatori agli schermi (grandi e piccoli). Telefilm Festival 2011 celebra il fenomeno con una giornata dedicata al tema con speciali proiezioni e una tavola rotonda ricca di ospiti e di sorprese.
Tamarri si nasce o si diventa?”: è il dilemma a base dell'incontro, martedì 28 giugno, in occasione della presentazione del cast della nuovissima docufiction "Tamarreide" in onda dal 13 giugno su Italia 1 in prima serata, accompagnato da esperti di tendenze, di spettacolo e di look per compiere un viaggio tra i tamarri non solo televisivi. A corollario dell'appuntamento, il Telefilm Festival propone l'anteprima di Shameless (su Mya dal 10 ottobre), lodata da "Hollywood Reporter" come "esempio eccellente di tv da vedere" e che vanta la famiglia americana più squinternata degli ultimi tempi, tra problemi di alcolismo, turbe sessuali e debiti mai pagati. Tra gli interpreti da plauso, William H. Macy; produce il tutto John Wells, già dietro le quinte del successo di "ER". Chicca della serata anche la puntata imperdibile del serial anni '80 21 Jump Street - di cui l'anno prossimo ricorrono i 25 anni con tanto di pellicola-remake al cinema - che vede protagonisti due tamarri d'antan come Johnny Dep e Brad Pitt. Nel frattempo buttatevi a capofitto a votare il Sondaggione di Tv Blog per eleggere il più grande Tamarro (il Tamarrone!) dei telefilm e dello spettacolo: merita di più Lorenzo Lamas di "Renegade" o Will Smith di "Willy, il Principe di Bel Air"? Fabrizio Corona o Lady Gaga? Votate col guantino dalle dita mozzate, mi raccomando!

Qui il sondaggio: http://www.tvblog.it/post/25961/tamarreide-sondaggio-tvblog-telefilm-festival-2011#continua

"Il trivial game + divertente dell'anno" (Lucca Comics)

"Il trivial game + divertente dell'anno" (Lucca Comics)
Il GIOCO DEI TELEFILM di Leopoldo Damerini e Fabrizio Margaria, nei migliori negozi di giocattoli: un viaggio lungo 750 domande divise per epoche e difficoltà. Sfida i tuoi amici/parenti/partner/amanti e diventa Telefilm Master. Disegni originali by Silver. Regolamento di Luca Borsa. E' un gioco Ghenos Games. http://www.facebook.com/GiocoDeiTelefilm. https://twitter.com/GiocoTelefilm

Lick it or Leave it!

Lick it or Leave it!