"I made 110 episodes playing the character of Fiona on Shameless, and it's been an incredible journey," Emmy Rossum told Shape. "I've learned a lot about myself as a person and as an actor. I want to leave the show while I still love it, and I know the door is open to come back if that feels right. I'm also extremely proud of what I was able to accomplish off-screen, with my negotiation for equal pay and the effect that had on other women in the industry and in general."
giovedì 17 gennaio 2019
"I made 110 episodes playing the character of Fiona on Shameless, and it's been an incredible journey," Emmy Rossum told Shape. "I've learned a lot about myself as a person and as an actor. I want to leave the show while I still love it, and I know the door is open to come back if that feels right. I'm also extremely proud of what I was able to accomplish off-screen, with my negotiation for equal pay and the effect that had on other women in the industry and in general."
mercoledì 16 gennaio 2019
venerdì 4 marzo 2016
giovedì 3 marzo 2016
Sia l’ideatore Esmail che il protagonista Malek sono
di origini egiziane. Esmail spiega la genesi della serie, a metà strada tra il suo passato nerd e le sue origini: «Ero un nerd, stavo sul mio computer per tutto il tempo, ero un fan di Steve Jobs, ero ossessionato da lui. All'inzio sembrava contro Microsoft, poi un giorno l'ho visto insieme a Bill Gates e hanno unito le forze. Ricordo di essere rimasto tanto scoraggiato e disilluso. Penso che ci siano un sacco di continue delusioni quando si tratta dei nostri eroi, purtroppo. Tutti pensano fosse un grande uomo ma ha fatto i miliardi sfruttando i bambini. Tutto il mondo non è che un grande imbroglio. I social media agiscono come surrogato dell'intimità. Io sono egiziano e sono andato in Egitto subito dopo la Primavera Araba. Quella è sicuramente
stata una delle ispirazioni per la serie, perché l'intera Primavera Araba aveva a che fare con questa gioventù arrabbiata che era stufa del mondo e della società che gli stava intorno. La leva che avevano in mano sul controllo a cui la vecchia generazione li costringeva era proprio la tecnologia, e l'hanno usata. Hanno incanalato quella rabbia in qualcosa di veramente positivo e produttivo e questo ha davvero fatto la differenza».
Oltre a esserne l’ideatore, Esmail è altresì sceneggiatore, produttore esecutivo e regista di 4 episodi. Il logo della E Corp richiama quello della Enron, la tristemente popolare corporazione di Houston caduta in bancarotta fraudolenta nel 2001. Rami Malek è stato raccomandato a Esmail da Emmy Rossum di “Shameless”, all’epoca del casting fidanzata con l’ideatore di “Mr. Robot”. Mac Quayle compone la moderna colonna sonora. Le riprese sono state effettuate interamente a New York.
“Viviamo tutti nella paranoia di qualcun altro”.
Elliot Alderson
sabato 14 novembre 2015
My thoughts & prayers with everyone in Paris. Stay together - stay strong. #ParisAttacks K🚀
— Kevin Spacey (@KevinSpacey) 14 Novembre 2015
My heart is breaking for the people of Paris right now. Please say a prayer.
— Emmy Rossum (@emmyrossum) 13 Novembre 2015
It's hard not to feel angry and hopeless this morning in light of the evil of last night.
— Emmy Rossum (@emmyrossum) 14 Novembre 2015
Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.
Martin Luther King
— Emmy Rossum (@emmyrossum) 14 Novembre 2015
#JeSuisParis pic.twitter.com/gUHAytsjyV
— Ashley Benson (@AshBenzo) 14 Novembre 2015
Imagine all the people
Living life in peace... #ParisAttacks 💛
— Maisie Williams (@Maisie_Williams) 14 Novembre 2015
1. Let's all try to remember, amidst pain and fear, that terrorism has no religion. Extremism is a brand of madness, not faith.
— Sophia Bush (@SophiaBush) 14 Novembre 2015
2. It's up to us not to let that madness cause us to turn on each other. If we do, they win. Coexistence, tolerance,& love are revolutionary
— Sophia Bush (@SophiaBush) 14 Novembre 2015
Prayers to Paris. Prières à Paris. #Paris
— Uzo Aduba (@UzoAduba) 13 Novembre 2015
Woke up this morning still with #Paris on my mind and in my heart. #PrayForParis #JePriePourParis pic.twitter.com/wbm23hvuAZ
— Eva Longoria (@EvaLongoria) 14 Novembre 2015
#PrayforParis. And all humanity.
— Connie Britton (@conniebritton) 14 Novembre 2015
Sending all my love to #Paris. ❤️❤️❤️
Xo m
— Marcia Cross (@ReallyMarcia) 13 Novembre 2015
My heart goes out to all those in #paris and those affected. I envoie mon amour et les prieres. Today was supposed to be #WorldKindnessDay 💔
— Sarah Michelle (@SarahMGellar) 13 Novembre 2015
Those killed Those taken. And to their families in Paris > our most positive thoughts go out to you
— Henry Winkler (@hwinkler4real) 13 Novembre 2015
My heart is filled with sadness for our French brothers and sisters. I am praying for Paris and for the victims of this senseless tragedy.
— zooey deschanel (@ZooeyDeschanel) 14 Novembre 2015
lunedì 5 gennaio 2015
Emmy Rossum, the 28-year-old actress on "Shameless", has been busy promoting her latest film Comet, during a recent interview with Larry King to promote the film, also opened up on her views about sex in Hollywood and Kim Kardashian‘s Paper magazine cover. Check out the video below!
martedì 21 ottobre 2014
giovedì 10 luglio 2014
#EmmyAwards.
"Scandalosa" Kerry Washington e non Tatiana Maslany. E l'esclusione di Emmy Rossum tra le comedians è "senza vergogna".
— Leo Damerini (@LeoDamerini) 10 Luglio 2014
lunedì 26 maggio 2014
Sembra il trailer di un film d'azione, ma il video ''Run'' che vede Beyoncé e Jay Z come Bonnie e Clyde protagonisti di inseguimenti e sparatorie, è stato realizzato solo per promuovere il tour della coppia negli Usa. E per dare l'idea di un vero lungometraggio compaiono anche i nomi di guest star come Sean Penn, anche se la pellicola non uscirà mai, come si legge nel finale. Colonna sonora il brano ''Part II (On the run)". Ma quel che più importa spicca un tris di attrici telefilmiche: Emmy Rossum di "Shameless", Blake Lively di "Gossip Girl" e Rashida Jones di "Parks and Recreation".
Vedi il trailer integrale (adult content) del film-non-film "Run"
#run #jayz @beyonce so fun. I was so nervous I was going to actually hurt B though. She let me shoot right at her... pic.twitter.com/Vd3mG7Psq6
— Emmy Rossum (@emmyrossum) 18 Maggio 2014
lunedì 14 aprile 2014
lunedì 7 aprile 2014
mercoledì 26 marzo 2014
The fact that Cusack keeps appearing in the guest category shows you how easy it can be to game the TV Academy's system — and now "Shameless" producer John Wells is trying to make like a Gallagher himself and try to game the system on a bigger scale. Having submitted the show in the Emmy drama categories the previous three years, Wells and Showtime today announced that "Shameless" will compete as a comedy at the 2014 Emmys.
Now, on the one hand I cannot blame Wells for trying this. I don't know that the genre has been the issue for "Shameless." Emmy voters have often seemed allergic to shows about extremely poor people, especially when they're not the type who suffer poverty with quiet dignity, but with the kind of brazen, hustling vulgarity with which the Gallaghers go through life. But odds are that Rossum was never going to break through in the drama actress category, not after a year when there were actually seven nominees and still no room at the inn for her, or for Tatiana Maslany, or several others. At a minimum, the comedy actress category will have a few openings, since Laura Dern and Tina Fey aren't eligible again, and Macy should have a much easier time than trying to crack a drama field that includes Cranston, Hamm, Spacey, and possibly McConaughey.
On the other hand, this move is, well, shameless. Absurd might be an even better word for it.
Yes, "Shameless" is a show that blends comedy and drama, and this year has had room for the usual black humor, like Carl Gallagher aggressively seeking detention to spend more time with a troublemaking girl he has a crush on, or Kev discovering what a money pit the bar he inherited really is. I even had arguments with Showtime executives in the first season that "Shameless" belonged more in the comedy categories, and not just because it was an easier path to nominations.
Not this year, though. This has been the darkest, most serious season to date, and especially for Rossum's Fiona. Never the show's funniest character to begin with, Fiona's been in a deep, bad spiral all season that included cheating on her boyfriend, getting high and letting her toddler brother Liam ingest cocaine (nearly dying and possibly suffering brain damage as a result), becoming a convicted felon on probation, and in the most recent episode, hitting rock bottom when being abandoned by fellow junkies at a gas station in Sheboygan.
It's been an impressive arc, and Rossum has again been amazing. I would gladly see her nominated for any and all awards for what she's doing this year, and what she's done throughout the show. And it is insane that she would be competing against performances by Amy Poehler and Melissa McCarthy. It's weird enough when Edie Falco is up for these things (and won one for the first year of "Nurse Jackie"), but that's at least a more overtly comic show and performance, and there's always the half-hour defense.
The rules are the rules, and if Wells can work within them and convince the Academy to allow "Shameless" to hop categories, then I suppose more power to him. It's a great show that deserves more recognition than it's gotten. But I don't know if it'll get substantially more this way, and it'll feel very strange if it does, all things considered.
That said, new episode Sunday at 9! I expect Fiona to suffer some more!
The fact that Cusack keeps appearing in the guest category shows you how easy it can be to game the TV Academy's system — and now "Shameless" producer John Wells is trying to make like a Gallagher himself and try to game the system on a bigger scale. Having submitted the show in the Emmy drama categories the previous three years, Wells and Showtime today announced that "Shameless" will compete as a comedy at the 2014 Emmys.
Now, on the one hand I cannot blame Wells for trying this. I don't know that the genre has been the issue for "Shameless." Emmy voters have often seemed allergic to shows about extremely poor people, especially when they're not the type who suffer poverty with quiet dignity, but with the kind of brazen, hustling vulgarity with which the Gallaghers go through life. But odds are that Rossum was never going to break through in the drama actress category, not after a year when there were actually seven nominees and still no room at the inn for her, or for Tatiana Maslany, or several others. At a minimum, the comedy actress category will have a few openings, since Laura Dern and Tina Fey aren't eligible again, and Macy should have a much easier time than trying to crack a drama field that includes Cranston, Hamm, Spacey, and possibly McConaughey.
On the other hand, this move is, well, shameless. Absurd might be an even better word for it.
Yes, "Shameless" is a show that blends comedy and drama, and this year has had room for the usual black humor, like Carl Gallagher aggressively seeking detention to spend more time with a troublemaking girl he has a crush on, or Kev discovering what a money pit the bar he inherited really is. I even had arguments with Showtime executives in the first season that "Shameless" belonged more in the comedy categories, and not just because it was an easier path to nominations.
Not this year, though. This has been the darkest, most serious season to date, and especially for Rossum's Fiona. Never the show's funniest character to begin with, Fiona's been in a deep, bad spiral all season that included cheating on her boyfriend, getting high and letting her toddler brother Liam ingest cocaine (nearly dying and possibly suffering brain damage as a result), becoming a convicted felon on probation, and in the most recent episode, hitting rock bottom when being abandoned by fellow junkies at a gas station in Sheboygan.
It's been an impressive arc, and Rossum has again been amazing. I would gladly see her nominated for any and all awards for what she's doing this year, and what she's done throughout the show. And it is insane that she would be competing against performances by Amy Poehler and Melissa McCarthy. It's weird enough when Edie Falco is up for these things (and won one for the first year of "Nurse Jackie"), but that's at least a more overtly comic show and performance, and there's always the half-hour defense.
The rules are the rules, and if Wells can work within them and convince the Academy to allow "Shameless" to hop categories, then I suppose more power to him. It's a great show that deserves more recognition than it's gotten. But I don't know if it'll get substantially more this way, and it'll feel very strange if it does, all things considered.
That said, new episode Sunday at 9! I expect Fiona to suffer some more!
What does everybody else think? Is the move to comedy fair or foul?
Read more at http://www.hitfix.com/whats-alan-watching/shameless-to-hop-emmy-categories-from-drama-to-comedy#Ru6WvlY2ZhQq5Yym.99
The fact that Cusack keeps appearing in the guest category shows you how easy it can be to game the TV Academy's system — and now "Shameless" producer John Wells is trying to make like a Gallagher himself and try to game the system on a bigger scale. Having submitted the show in the Emmy drama categories the previous three years, Wells and Showtime today announced that "Shameless" will compete as a comedy at the 2014 Emmys.
Now, on the one hand I cannot blame Wells for trying this. I don't know that the genre has been the issue for "Shameless." Emmy voters have often seemed allergic to shows about extremely poor people, especially when they're not the type who suffer poverty with quiet dignity, but with the kind of brazen, hustling vulgarity with which the Gallaghers go through life. But odds are that Rossum was never going to break through in the drama actress category, not after a year when there were actually seven nominees and still no room at the inn for her, or for Tatiana Maslany, or several others. At a minimum, the comedy actress category will have a few openings, since Laura Dern and Tina Fey aren't eligible again, and Macy should have a much easier time than trying to crack a drama field that includes Cranston, Hamm, Spacey, and possibly McConaughey.
On the other hand, this move is, well, shameless. Absurd might be an even better word for it.
Yes, "Shameless" is a show that blends comedy and drama, and this year has had room for the usual black humor, like Carl Gallagher aggressively seeking detention to spend more time with a troublemaking girl he has a crush on, or Kev discovering what a money pit the bar he inherited really is. I even had arguments with Showtime executives in the first season that "Shameless" belonged more in the comedy categories, and not just because it was an easier path to nominations.
Not this year, though. This has been the darkest, most serious season to date, and especially for Rossum's Fiona. Never the show's funniest character to begin with, Fiona's been in a deep, bad spiral all season that included cheating on her boyfriend, getting high and letting her toddler brother Liam ingest cocaine (nearly dying and possibly suffering brain damage as a result), becoming a convicted felon on probation, and in the most recent episode, hitting rock bottom when being abandoned by fellow junkies at a gas station in Sheboygan.
It's been an impressive arc, and Rossum has again been amazing. I would gladly see her nominated for any and all awards for what she's doing this year, and what she's done throughout the show. And it is insane that she would be competing against performances by Amy Poehler and Melissa McCarthy. It's weird enough when Edie Falco is up for these things (and won one for the first year of "Nurse Jackie"), but that's at least a more overtly comic show and performance, and there's always the half-hour defense.
The rules are the rules, and if Wells can work within them and convince the Academy to allow "Shameless" to hop categories, then I suppose more power to him. It's a great show that deserves more recognition than it's gotten. But I don't know if it'll get substantially more this way, and it'll feel very strange if it does, all things considered.
That said, new episode Sunday at 9! I expect Fiona to suffer some more!
What does everybody else think? Is the move to comedy fair or foul?
Read more at http://www.hitfix.com/whats-alan-watching/shameless-to-hop-emmy-categories-from-drama-to-comedy#Ru6WvlY2ZhQq5Yym.99
The fact that Cusack keeps appearing in the guest category shows you how easy it can be to game the TV Academy's system — and now "Shameless" producer John Wells is trying to make like a Gallagher himself and try to game the system on a bigger scale. Having submitted the show in the Emmy drama categories the previous three years, Wells and Showtime today announced that "Shameless" will compete as a comedy at the 2014 Emmys.
Now, on the one hand I cannot blame Wells for trying this. I don't know that the genre has been the issue for "Shameless." Emmy voters have often seemed allergic to shows about extremely poor people, especially when they're not the type who suffer poverty with quiet dignity, but with the kind of brazen, hustling vulgarity with which the Gallaghers go through life. But odds are that Rossum was never going to break through in the drama actress category, not after a year when there were actually seven nominees and still no room at the inn for her, or for Tatiana Maslany, or several others. At a minimum, the comedy actress category will have a few openings, since Laura Dern and Tina Fey aren't eligible again, and Macy should have a much easier time than trying to crack a drama field that includes Cranston, Hamm, Spacey, and possibly McConaughey.
On the other hand, this move is, well, shameless. Absurd might be an even better word for it.
Yes, "Shameless" is a show that blends comedy and drama, and this year has had room for the usual black humor, like Carl Gallagher aggressively seeking detention to spend more time with a troublemaking girl he has a crush on, or Kev discovering what a money pit the bar he inherited really is. I even had arguments with Showtime executives in the first season that "Shameless" belonged more in the comedy categories, and not just because it was an easier path to nominations. Not this year, though. This has been the darkest, most serious season to date, and especially for Rossum's Fiona. Never the show's funniest character to begin with, Fiona's been in a deep, bad spiral all season that included cheating on her boyfriend, getting high and letting her toddler brother Liam ingest cocaine (nearly dying and possibly suffering brain damage as a result), becoming a convicted felon on probation, and in the most recent episode, hitting rock bottom when being abandoned by fellow junkies at a gas station in Sheboygan.
It's been an impressive arc, and Rossum has again been amazing. I would gladly see her nominated for any and all awards for what she's doing this year, and what she's done throughout the show. And it is insane that she would be competing against performances by Amy Poehler and Melissa McCarthy. It's weird enough when Edie Falco is up for these things (and won one for the first year of "Nurse Jackie"), but that's at least a more overtly comic show and performance, and there's always the half-hour defense.
The rules are the rules, and if Wells can work within them and convince the Academy to allow "Shameless" to hop categories, then I suppose more power to him. It's a great show that deserves more recognition than it's gotten. But I don't know if it'll get substantially more this way, and it'll feel very strange if it does, all things considered.
That said, new episode Sunday at 9! I expect Fiona to suffer some more!
What does everybody else think? Is the move to comedy fair or foul?
Read more at http://www.hitfix.com/whats-alan-watching/shameless-to-hop-emmy-categories-from-drama-to-comedy#Ru6WvlY2ZhQq5Yym.99
giovedì 12 dicembre 2013
Il movimento e la protesta dei “Forconi” non sono una realtà solo italiana.
mercoledì 11 dicembre 2013
"Il trivial game + divertente dell'anno" (Lucca Comics)
Il GIOCO DEI TELEFILM di Leopoldo Damerini e Fabrizio Margaria, nei migliori negozi di giocattoli: un viaggio lungo 750 domande divise per epoche e difficoltà. Sfida i tuoi amici/parenti/partner/amanti e diventa Telefilm Master. Disegni originali by Silver. Regolamento di Luca Borsa. E' un gioco Ghenos Games. http://www.facebook.com/GiocoDeiTelefilm. https://twitter.com/GiocoTelefilm
Lick it or Leave it!






















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